She beamed upon me a very large stage beam, as though she had got the
range of the gallery and meant to reach it. But it was sincere, and
though she makes three of me, she is a darling, very playful, very
motherly, very strong-minded. Indeed, a Woman. She fussed with the
feathers of her boa, and sat upright, as though conscious of her
athletic proportions and the picture she was making against the gilded
background of the saloon. She had an arm that--but I can say no more
than that paraphrase of Meredith: She Had An Arm. When you remember that
often four times nightly she holds her husband--no light-weight, I
assure you--balanced on her right, while, with her left, she juggles
with a bamboo-table and a walking-stick, you can realize that She Has
An Arm, and you can understand the figure she cuts in commonplace
intercourse. You are simply overwhelmed physically and morally.
"But look here, sonny, why not come home and have a bit of supper with
us? That is, if there is any. But come round, and gnaw the old
hambone--what? I think we got some claret and I know George's got a drop
of Three-Star. Young Beryl's off to-morrow on the Northern tour with the
White Bird Company, so of course we're in a devil of muddle. George's
sister's round there, packing her. But if you'll put up with the damned
old upset, why, come right along."
So we drank up, and I went right along to a jolly little flat near
Highbury Quadrant. As we entered the main room, I heard a high, thin
voice protesting--
But there were times, dear,
When you made me feel so bad!
And there, flitting about the room in dainty lace petticoat, and little
else, was young Beryl, superintending her aunt's feverish struggles with
paint and powder-jars, frocks, petties, silk stockings, socks, and
wraps, snatching these articles from a voluminous wardrobe and tossing
them, haphazard, into a monumental dressing-basket, already half-full
with two life-size teddy-bears.
She was a bright little maid, and, though we had not met before, we made
friends at once. She had a mass of black curls, eyes dancing with elfin
lights, a face permanently flushed, and limbs never in repose. She was,
even in sleep--as I have seen her since--wonderfully alive, with that
hectic energy that is born of spending oneself to the last ounce
unceasingly; in her case, the magnetic, self-consuming energy of talent
prematurely developed. Her voice had distinctive quality, unusual in
little girls of nine. When she talked, it was with perfect articulation
and a sense of the value and beauty of words. Her manners were prettily
wayward, but not precocious. She moved with the quiet self-possession
of one who has something to do and knows just how to do it, one who took
her little self seriously but not conceitedly.
Public-domain text, read in full here on John Shaqi.
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