But your good Cockney finds his joy not merely in the opulent masses of
gloom and glare. For him London holds infinite delicacies. There is a
short street in Walworth Road--East Street--which is as perfect as any
nightscape ever conceived by any artist. At day or dark it is
incomparably subtle. By day it is a lane of crazy meat and vegetable
stalls and tumbling houses, whose colours chime softly with their
background. By night it is a dainty riot of flame and tousled stone, the
gentle dusk of the near distance deepening imperceptibly to purple, and
finally to haunting chaos. And--it is a beautiful thought--there are
thousands and thousands of streets in London where similar ecstasy
awaits the evening wanderer. There is Edgware Road, with its clamorous
by-streets, alluring at all times, but strangely so at twilight. To dash
down the great road on a motor-'bus is to take a joy-ride through a
fairyland of common things newly revealed, and to look back from Dollis
Hill is to look back, not on Kilburn or Paddington or Marylebone, but on
the Field of the Cloth of Gold.
Moreover, London wears always new beauties for the faithful--new
aspects, sudden revelations. What was beautiful yesterday is gone, and a
new splendour is presented. Building operations are begun here,
house-breaking is in progress there, the gaunt scaffolding making its
own beauty against the night sky. Always, throughout the seasons, her
townscapes are there to cheer, to entrance, to satisfy. At dawn or noon
or dusk she stands superb; but perhaps most superb when the day is done,
and her lights, the amazing whites and yellows and golds, blossom on
every hand in their tangled garden and her lovers cluster thicker and
thicker to worship at her shrine and spend a night in town.
* * * * *
Public-domain text, read in full here on John Shaqi.
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