It must be said that the American people--such of them as were aware of
this uprising--took the punishment of their presumption in a sweet and
forgiving spirit. If they did not feel that they deserved it, they
regarded it as a valuable contribution to the study of sociology and race
characteristics, in which they have taken a lively interest of late. We
know how it is ourselves, they said; we used to be thin-skinned and
self-conscious and sensitive. We used to wince and cringe under English
criticism, and try to strike back in a blind fury. We have learned that
criticism is good for us, and we are grateful for it from any source. We
have learned that English criticism is dictated by love for us, by a warm
interest in our intellectual development, just as English anxiety about
our revenue laws is based upon a yearning that our down-trodden millions
shall enjoy the benefits of free-trade. We did not understand why a
country that admits our beef and grain and cheese should seem to seek
protection against a literary product which is brought into competition
with one of the great British staples, the modern novel. It seemed
inconsistent. But we are no more consistent ourselves. We cannot
understand the action of our own Congress, which protects the American
author by a round duty on foreign books and refuses to protect him by
granting a foreign copyright; or, to put it in another way, is willing to
steal the brains of the foreign author under the plea of free knowledge,
but taxes free knowledge in another form. We have no defense to make of
the state of international copyright, though we appreciate the
complication of the matter in the conflicting interests of English and
American publishers.
Public-domain text, read in full here on John Shaqi.
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