There, on the bench of the marble hemicycle in the north grove, sat a row
of graybeards, old men in the costume of the first Revolution, a sort of
serene and benignant Areopagus. In the cleared space before them were a
crowd of youths and maidens, spectators and participants in the Floral
Games which were about to commence; behind the old men stood attendants
who bore chaplets of flowers, the prizes in the games. The young men wore
short red tunics with copper belts, formerly worn by Roman lads at the
ludi, and the girls tunics of white with loosened girdles, leaving their
limbs unrestrained for dancing, leaping, or running; their hair was
confined only by a fillet about the head. The pipers began to play and
the dancers to move in rhythmic measures, with the slow and languid grace
of those full of sweet wine and the new joy of the Spring, according to
the habits of the Golden Age, which had come again by decree in Paris.
This was the beginning of the classic sports, but it is not possible for
a modern pen to describe particularly the Floral Games. I remember that
the Convention ordered the placing of these hemicycles in the garden, and
they were executed from Robespierre's designs; but I suppose I am the
only person who ever saw the games played that were expected to be played
before them. It was a curious coincidence that the little livid-green man
was also there, leaning against a tree and looking on with a half sneer.
It seemed to me an odd classic revival, but then Paris has spasms of
that, at the old Theatre Francais and elsewhere.
Public-domain text, read in full here on John Shaqi.
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