Children's stories; Fairy tales; Fantasy fiction; Wit and humor, Juvenile
“But how can any one be happy?” asked Matilda, severely, “when every
one is turned into something they weren’t meant to be? There’s your
dear father—he’s a desirable villa—the Prime Minister was a little boy,
and he got back again, and now he’s turned into a Comic Opera. Half the
Palace housemaids are breakers, dashing themselves against the Palace
crockery: the Navy, to a man, are changed to French poodles, and the
Army to German sausages. Your favourite nurse is now a flourishing
steam laundry, and I, alas! am too clever by half. Can’t that horrible
bird do anything to put us all right again?”
“No,” said the Princess, dissolved in tears at this awful picture, “he
told me once himself that when he laughed he could only change one or
two things at once, and then, as often as not, it turned out to be
something he didn’t expect. The only way to make everything come right
again would be—but it can’t be done! If we could only make him laugh on
the wrong side of his mouth. That’s the secret. He told me so. But I
don’t know what it _is_, let alone being able to do it. Could _you_ do
it, Matilda?”
“No,” said Matilda, “but let me whisper. He’s listening. Pridmore
could. She’s often told me she’d do it to me. But she never has. Oh,
Princess, I’ve got an idea.”
The two were whispering so low that the Cockatoucan could not hear,
though he tried his hardest. Matilda and the Princess left him
listening.
Presently he heard a sound of wheels. Four men came into the
rose-garden wheeling a great red thing in a barrow. They set it down in
front of the Cockatoucan, who danced on his perch with rage.
“Oh,” he said, “if only some one would make me laugh, that horrible
thing would be the one to change. I know it would. It would change into
something much horrider than it is now. I feel it in all my feathers.”
The Princess opened the cage-door with the Prime Minister’s key, which
a tenor singer had found at the beginning of his music. It was also the
key of the comic opera. She crept up behind the Cockatoucan and tickled
him under both wings. He fixed his baleful eye on the red Automatic
Machine and laughed long and loud; he saw the red iron and glass
change before his eyes into the form of Pridmore. Her cheeks were red
with rage and her eyes shone like glass with fury.
[Illustration: FOUR MEN CAME WHEELING A GREAT RED THING ON A BARROW.]
“Nice manners!” said she to the Cockatoucan, “what are you laughing at,
I should like to know—I’ll make you laugh on the wrong side of your
mouth, my fine fellow!”
She sprang into the cage, and then and there, before the astonished
Court, she shook that Cockatoucan till he really and truly did laugh on
the wrong side of his mouth. It was a terrible sight to witness, and
the sound of that wrong-sided laughter was horrible to hear.
Public-domain text, read in full here on John Shaqi.
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