Civilization, Modern -- 19th century; Literature -- History and criticism
Corday; we are the Gironde; we the poor prisoners of Terror, waiting in
our prison for the slow morning to bring the inevitable doom. This is
the one indispensable faculty for the historian; and this faculty Mr.
Buckle so far possesses as to make his page a living one. It is true
that his sympathy is intellectual rather than imaginative. It is not of
the high order of Shakespeare, nor even of that of Carlyle. But, so
far as it goes, it is a true faculty, and makes a true historian.
Yet we cannot but notice how the effectual working of this historic
organ is interfered with by the dogmatic purpose of Mr. Buckle; and,
on the other hand, how his theoretic aim is disturbed by the interest
of his narrative. His history is always meant to be an argument. His
narrations of events are never for their own sake, but always to
prove some thesis. There is, therefore, no consecutive narrative, no
progress of events, no sustained interest. These volumes are episodes,
put together we cannot well say how, or why. In the seventh chapter
of the first volume we have a graphic description of the Court life
in England in the days of Charles II., James II., William, and the
Georges, in connection with the condition of the Church and clergy.
From this we are taken, in the next chapter, to France, and to similar
relations between Henry IV., Louis XIII., Richelieu, and the French
Catholics and Protestants. We then are brought back to England, to
consider the protective system there; and once more we return to
France, to investigate its operation in that country. Afterward we have
an essay on "The State of Historical Literature in France from the
End of the Sixteenth to the End of the Eighteenth Century," followed
by another essay on the "Proximate Causes of the French Revolution."
Many very well finished biographic portraits are given us in these
chapters. There are excellent sketches of Burke, Voltaire, Richelieu,
Bossuet, Montesquieu, Rousseau, Bichat, in the first volume; and of
Adam Smith, Reid, Black, Leslie, Hutton, Cullen, Hunter, in the second.
These numerous biographic sketches, which are often accompanied with
good literary notices of the writings of these authors, are very ably
written; but it is curious to remember, while reading them, that Mr.
Buckle thinks that, as history advances, it has less and less to do
with biography.
Public-domain text, read in full here on John Shaqi.
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