Civilization, Modern -- 19th century; Literature -- History and criticism
The greatest of English poets is Shakespeare. The greatest prose writer
in English literature is probably Bacon. Each of these writers, alone,
is a marvel of intellectual grandeur. It is hard to understand how
one man, in a few years, could have written all the masterpieces of
Shakespeare,--thirty-six dramas, each a work of genius such as the
world will never let die. It is a marvel that from one mind could
proceed the tender charm of such poems as "Romeo and Juliet," "As You
Like It," or "The Winter's Tale;" the wild romance of "The Tempest,"
or of "A Midsummer Night's Dream;" the awful tragedies of "Lear,"
"Macbeth," and "Othello;" the profound philosophy of "Hamlet;" the
perfect fun of "Twelfth Night," and "The Merry Wives of Windsor;" and
the reproductions of Roman and English history. It is another marvel
that a man like Bacon, immersed nearly all his life in business, a
successful lawyer, an ambitious statesman, a courtier cultivating the
society of the sovereign and the favorites of the sovereign, should
also be the founder of a new system of philosophy, which has been the
source of many inventions and new sciences down to the present day;
should have critically surveyed the whole domain of knowledge, and
become a master of English literary style. Each of these phenomena is
a marvel; but put them together, and assume that one man did it all,
and you have, not a marvel, but a miracle. Yet, this is the result
which the monistic tendency of modern thought has reached. Several
critics of our time have attempted to show that Bacon, besides writing
all the works usually attributed to him, was also the author of all of
Shakespeare's plays and poems.
This theory was first publicly maintained by Miss Delia Bacon in
1857. It had been, before, in 1856, asserted by an Englishman,
William Henry Smith, but only in a small volume printed for private
circulation. This book made a distinguished convert in the person of
Lord Palmerston, who openly declared his conviction that Bacon was the
author of Shakespeare's plays. Two papers by Appleton Morgan, written
in the same sense, appeared last year in "Appletons' Journal." But far
the most elaborate and masterly work in support of this attempt to
dethrone Shakespeare, and to give his seat on the summit of Parnassus
to Lord Bacon, is the book by Judge Holmes, published in 1866. He has
shown much ability, and brought forward every argument which has any
plausibility connected with it.
Judge Holmes was, of course, obliged to admit the extreme antecedent
improbability of his position. Certainly it is very difficult to
believe that the author of such immortal works should have been
willing, for any reason, permanently to conceal his authorship; or,
if he could hide that fact, should have been willing to give the
authorship to another; or, if willing, should have been able so
effectually to conceal the substitution as to blind the eyes of all
mankind down to the days of Miss Delia Bacon and Judge Holmes.
Public-domain text, read in full here on John Shaqi.
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