France -- History -- Revolution, 1789-1799 -- Fiction
This is perhaps the most dreadful thing that can take place at sea.
Nothing more terrible can happen to a man-of-war under full sail.
A cannon that breaks loose from its fastenings is suddenly transformed
into a supernatural beast. It is a monster developed from a machine.
This mass runs along on its wheels as easily as a billiard ball; it
rolls with the rolling, pitches with the pitching, comes and goes,
stops, seems to meditate, begins anew, darts like an arrow from one end
of the ship to the other, whirls around, turns aside, evades, rears,
hits out, crushes, kills, exterminates. It is a ram battering a wall
at its own pleasure. Moreover, the battering-ram is iron, the wall is
wood. It is matter set free; one might say that this eternal slave is
wreaking its vengeance; it would seem as though the evil in what we
call inanimate objects had found vent and suddenly burst forth; it has
the air of having lost its patience, and of taking a mysterious, dull
revenge; nothing is so inexorable as the rage of the inanimate. The
mad mass leaps like a panther; it has the weight of an elephant, the
agility of a mouse, the obstinacy of the axe; it takes one by surprise,
like the surge of the sea; it flashes like lightning; it is deaf as the
tomb; it weighs ten thousand pounds, and it bounds like a child's ball;
it whirls as it advances, and the circles it describes are intersected
by right angles. And what help is there? How can it be overcome? A
calm succeeds the tempest, a cyclone passes over, a wind dies away, we
replace the broken mass, we check the leak, we extinguish the fire;
but what is to be done with this enormous bronze beast? How can it
be subdued? You can reason with a mastiff, take a bull by surprise,
fascinate a snake, frighten a tiger, mollify a lion; but there is no
resource with the monster known as a loosened gun. You cannot kill
it,--it is already dead; and yet it lives. It breathes a sinister life
bestowed on it by the Infinite. The plank beneath sways it to and fro;
it is moved by the ship; the sea lifts the ship, and the wind keeps the
sea in motion. This destroyer is a toy. Its terrible vitality is fed
by the ship, the waves, and the wind, each lending its aid. What is to
be done with this complication? How fetter this monstrous mechanism of
shipwreck? How foresee its comings and goings, its recoils, its halts,
its shocks? Any one of those blows may stave in the side of the vessel.
How can one guard against these terrible gyrations? One has to do with
a projectile that reflects, that has ideas, and changes its direction
at any moment. How can one arrest an object in its course, whose
onslaught must be avoided? The dreadful cannon rushes about, advances,
recedes, strikes to right and to left, flies here and there, baffles
their attempts at capture, sweeps away obstacles, crushing men like
flies.
[Illustration 012]
Public-domain text, read in full here on John Shaqi.
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