France -- History -- Revolution, 1789-1799 -- Fiction
"Because I know her."
"How is that? You know her?" said the woman.
"Yes," answered the boy; "because we played games this morning."
[Illustration 028]
"Well, I must say!" exclaimed the woman. "We have been here only three
days; a boy no bigger than your fist, and he has found a sweetheart
already!"
And the voices grew fainter in the distance, and every sound died away.
II.
AURES HABET, ET NON AUDIET.
The old man sat motionless. He was not consciously thinking, nor yet
was he dreaming. Around him was peace, repose, assurance of safety,
solitude. Although night had shut down upon the woods, and in the
valley below it was nearly dark, broad daylight still rested on the
dune. The moon was rising in the east, and several stars pricked the
pale blue of the zenith. This man, although intensely absorbed in his
own interests, surrendered himself to the unutterable peacefulness of
nature. He felt the vague dawn of hope rising in his breast,--if the
word "hope" may fitly be applied to projects of civil warfare. For the
moment it seemed to him that in escaping from the inexorable sea he had
left all danger behind him. No one knew his name; he was alone,--lost,
as far as concerned the enemy; he had left no traces behind him, for
the surface of the sea preserves no trace; all is hidden, ignored, and
never even suspected. He felt unspeakably calm. A little more, and he
would have fallen asleep.
It was the deep silence pervading both heaven and earth that lent to
the hour a subtle charm to soothe the imagination of this man, stirred
as he was by inward and outward agitations.
There was nothing to be heard but the wind blowing in from the sea, a
prolonged monotonous bass, to which the ear becomes so used that it
almost ceases to be noticed as a sound.
All at once he rose to his feet
His attention was suddenly awakened. An object on the horizon seemed to
arrest his glance.
He was gazing at the belfry of Cormeray, at the farther end of the
valley. Something unusual was going on in this belfry.
Its dark silhouette was clearly defined against the sky; the tower
surmounted by the spire could be seen distinctly, and between the tower
and the spire was the square cage for the bell, without a penthouse,
and open on the four sides, after the fashion of Breton belfries. Now
this cage seemed to open and shut by turns, and at regular intervals;
its lofty aperture looked now perfectly white, and the next moment
black, the sky constantly appearing and vanishing, eclipse following
the light, as the opening and shutting succeeded each other with the
regularity of a hammer striking an anvil.
Public-domain text, read in full here on John Shaqi.
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