Ninon de l'Enclos and her centuryRowsell, Mary C. (Mary Catherine)
History
Ninon de l'Enclos and her century
Rowsell, Mary C. (Mary Catherine)
Lenclos, Ninon de, 1620-1705
Not without justice, Ninon, who about this time had in more ways than
one drawn unfavourable public criticism upon herself, complains that
she was really less culpable, infinitely more decorously behaved
in society, than many of the titled and fashionable dames, whose
behaviour, scandalous as it was, passed unchallenged. They were
constantly promenading in the Place Royale, chattering at the top of
their voices, ogling, smoking, taking snuff, adorning their mantles
and hats with knots of ribbon of various colours, each conveying a
different significance, and generally comporting themselves after
the manner of the lowest of their sex. Ninon de L’Enclos had made a
law unto herself, a law of liberty, and she made no pretence of not
abiding by it; but she rarely sinned in outward decorum, or forgot
the good breeding of her station.
In the matter of de Rambouillet, if she did not acknowledge the
false step, it was probable she was made to feel conscious of it, and
decided soon after to divert public attention to some other topics of
scandal, by absenting herself from Paris for a while and rusticating
at Loches, the estate which her aunt had left her. On reaching le
Mans, she was met by the Marquis de la Châtre—an amiable man for
whom Ninon had sufficient attachment and constancy to allow the good
provincials to imagine they were man and wife, and the two were
widely welcomed and courted.
One evening, at a supper party to which they were invited, she met
Scarron. He arrived in company with some canons from the cathedral,
and to her great surprise she learned from him that he now held a
canonry in le Mans cathedral, bestowed upon him for the assistance
of his pen, than which few were more able than his in Lorraine, in
drawing up a history of the duchy of Lorraine.
To Paul Scarron, the brilliant wit, comic poet, rhymester—so
admired of another erratic genius, Oliver Goldsmith, who translated
his _Roman Comique_—the sunny-natured, in earlier years
scandalously debauched, and always _bon vivant_—brimming with the
overflow of humour that wells from the depths of a sympathetic
temperament—generous, kind-hearted—to:
“Nothing extenuate,
Nor set down aught in malice,”
Public-domain text, read in full here on John Shaqi.
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