Ninon de l'Enclos and her centuryRowsell, Mary C. (Mary Catherine)
History
Ninon de l'Enclos and her century
Rowsell, Mary C. (Mary Catherine)
Lenclos, Ninon de, 1620-1705
coats off their backs, and turn them out. “And you,” says Gorgibus,
chasing the _précieuses_ from the room, to repent at leisure of their
affectations and thirst for _la galantérie_, “out of my sight, and to
the devil with all these verses, romances, sonnets, and the rest of
it—pernicious amusements of do-nothings and idlers!” So the curtain
descended on the _Précieuses Ridicules_, and the story goes that
before very long the play extinguished the glory of the salon of the
Hôtel de Rambouillet.
The Comte de Fiesque, who had gone with Condé to Spain, was killed in
Catalonia by the bursting of a bomb. Ninon, not able personally to
ask the widow where the child was which de Fiesque regarded as his,
commissioned two persons to ascertain for her from Madame de Fiesque
some intelligence concerning its whereabouts, but the countess
asserted that she had no knowledge of this. The remorse and regret of
Ninon were of no avail: she was unable to trace the lost one.
At last, after long negotiations, Maria Théresa of Austria was united
to Louis XIV. This brought Condé back to allegiance to France, by
the Peace of the Pyrenees, effected by Cardinal Mazarin, one of the
few of his achievements which really benefited France. Ninon was
one in the gorgeous cortège which proceeded to Grosbois, beyond
Charenton, to receive the young princess. It was a brilliant show.
The fashions of the early days of the young king had greatly changed
since his father’s time, which was so greatly distinguished, at
least as far as male attire went, for its elegant simplicity. Bright
hues had superseded the black, the beautiful but sombre colouring
of the material of the silk or satin or velvet doublets with large,
loose slashed sleeves; the falling bands of rich point lace; the
long, straight, fringed or pointed breeches meeting down to the
lace-ruffled or lawn wide-topped boots, and the eminently graceful
Flemish plumed beaver hat. In place of the long hair waving to the
neck, full-bottomed periwigs had come into vogue; the doublets were
short and waistcoatless, displaying a bulging shirt-front, tied with
ribbons to the nether garments, which, like the large loose sleeves,
were covered with points and bows; deep lace ruffles drooped from the
knees, and only the falling collar, with a hat higher crowned than of
yore, but still plumed, remained of the old style.
It was to the beauty of Louis XIV.’s hair when he was a little
boy, that the huge, hideous periwigs seem to owe their invention.
Nature’s ruling has its exceptions in the bestowal of naturally
curling head-covering, and desiring to offer the sincerest flattery
of imitation, the French courtiers and the ingenuity of the coiffeurs
combined to invent the huge periwigs, which in some sort of fashion
even contrived to live through the French Revolution and the Terror
itself; for did not Robespierre preside at the great Feast of the
Supreme Being in about the ugliest, primmest bobtail wig ever
fashioned on barber’s block?
Public-domain text, read in full here on John Shaqi.
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