Ninon de l'Enclos and her centuryRowsell, Mary C. (Mary Catherine)
History
Ninon de l'Enclos and her century
Rowsell, Mary C. (Mary Catherine)
Lenclos, Ninon de, 1620-1705
The fierce light that beats upon the lives of kings and queens was at
its fiercest when cast upon the life of the Sun-King. His marriage
with the Spanish princess was one of policy and convenience, and as
such there have been unions more disastrous. If love played no great
part in it, at least the king was true to the dignity and a certain
gentle courtesy and good-nature underlying the pomp and extravagant
display with which he was pleased to surround himself; and Maria
Théresa’s record of a queen’s life bears no startling evidence of
unhappiness or discontent—something indeed to the contrary.
CHAPTER XV
_Réunions_—The Scarrons—The Fête at Vaux—The Little Old Man in
the Dressing-gown—Louise de la Vallière—How the Mice Play when
the Cat’s Away—“Pauvre Scarron”—An Atrocious Crime.
The return of St Evrémond brought about the restoration of
the old pleasant Monday and Friday _réunions_ of the rue des
Tournelles—whose regularity so many untoward events had greatly and
for so long interfered with.
Ninon could afford to dispense with the less interesting society
of the Louvre, where, except for Madame de Choisy’s friendship, no
very cordial hand had ever been extended to her; while the cultured,
refined Bohemianism of her salon was probably more acceptable to
many of her distinguished friends. They at all events gathered
there numerously. Monsieur de la Rochefoucauld, ever faithful to
the beautiful Duchesse de Longueville; Condé; the brilliant society
doctor of his day and memoir writer, Guy Patin; Monsieur de la
Châtre, also a chronicler of his period; Monsieur de Villarceaux,
Corneille, whose tragedy of _Œdipus_ brought him back in high-heaped
measure the success which had waned since the production of _The
Cid_, so greatly that he had nearly lost heart for dramatic work;
Molière—these two the brightest and best-beloved stars of Ninon’s
firmament. Monsieur Voiture was now no more. His empty niche was
filled by Boileau, who introduced to her his young friend, Racine.
Occasionally, by kind permission only of Madame de la Sablière,
came la Fontaine. Among the ladies of her company were Madame de la
Fayette, the authoress of _Zaïde_ and of the _Princesse de Clèves_;
Madame Deshoulières, called “the French Calliope”; and, as healing
Time’s wings now and again bring, it was Molière himself who effected
pleasant relations once more with Julie de Rambouillet, now Duchesse
de Montausier; Madeleine de Scudéri, the distinguished _précieuse_,
held aloof.
Public-domain text, read in full here on John Shaqi.
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