New York (N.Y.) -- Fiction; Science fiction; Theater -- Fiction; Time travel -- Fiction
He replied, "Why, the Bard's tragical history of the bloody Scot,
certes." He waved his hand toward the portrait of Shakespeare that
always sits beside his mirror on top of his reserve makeup box. At
first that particular picture of the Bard looked too nancy to me--a
sort of peeping-tom schoolteacher--but I've grown used to it over the
months and even palsy-feeling.
He didn't ask me why I hadn't asked Miss Nefer my question. Everybody
in the company knows she spends the hour before curtain-time getting
into character, never parting her lips except for that purpose--or to
bite your head off if you try to make the most necessary conversation.
"Aye, 'tiz _Macbeth_ tonight," Sid confirmed, returning to his
frowning-practice: left eyebrow up, right down, reverse, repeat, rest.
"And I must play the ill-starred Thane of Glamis."
I said, "That's fine, Siddy, but where does it leave us with Miss
Nefer? She's already thinned her eyebrows and beaked out the top of
her nose for Queen Liz, though that's as far as she's got. A beautiful
job, the nose. Anybody else would think it was plastic surgery instead
of putty. But it's going to look kind of funny on the Thaness of
Glamis."
* * * * *
Sid hesitated a half second longer than he usually would--I thought,
_his timing's off tonight_--and then he harrumphed and said, "Why,
Iris Nefer, decked out as Good Queen Bess, will speak a prologue to
the play--a prologue which I have myself but last week writ." He owled
his eyes. "'Tis an experiment in the new theater."
I said, "Siddy, prologues were nothing new to Shakespeare. He had them
on half his other plays. Besides, it doesn't make sense to use Queen
Elizabeth. She was dead by the time he whipped up _Macbeth_, which is
all about witchcraft and directed at King James."
He growled a little at me and demanded, "Prithee, how comes it your
peewit-brain bears such a ballast of fusty book-knowledge, chit?"
I said softly, "Siddy, you don't camp in a Shakespearean dressing room
for a year, tete-a-teting with some of the wisest actors ever, without
learning a little. Sure I'm a mental case, a poor little A & A
existing on your sweet charity, and don't think I don't appreciate it,
but--"
"A-_and_-A, thou sayest?" he frowned. "Methinks the gladsome new
forswearers of sack and ale call themselves AA."
"Agoraphobe and Amnesiac," I told him. "But look, Siddy, I was going
to sayest that I do know the plays. Having Queen Elizabeth speak a
prologue to _Macbeth_ is as much an anachronism as if you put her on
the gantry of the British moonship, busting a bottle of champagne over
its schnozzle."
"Ha!" he cried as if he'd caught me out. "And saying there's a new
Elizabeth, wouldn't that be the bravest advertisement ever for the
Empire?--perchance rechristening the pilot, copilot and astrogator
Drake, Hawkins and Raleigh? And the ship _The Golden Hind_? Tilly
fally, lady!"
Public-domain text, read in full here on John Shaqi.
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