_Me, now, I'm going to watch the play._ IV ... to dream of new dimensions, Cheating checkmate by painting the king's robe So that he slides like a queen; --Graves I swung back to the play just at the moment Lady Mack soliloquizes, "Come to my woman's breasts. And take my milk for gall, you murdering ministers." Although I knew it was just folded towel Martin was touching with his fingertips as he lifted them to the top half of his green bodice, I got carried away, he made it so real. I decided boys can play girls better than people think. Maybe they should do it a little more often, and girls play boys too. Then Sid-Macbeth came back to his wife from the wars, looking triumphant but scared because the murder-idea's started to smoulder in him, and she got busy fanning the blaze like any other good little _hausfrau_ intent on her husband rising in the company and knowing that she's the power behind him and that when there are promotions someone's always got to get the axe. Sid and Martin made this charming little domestic scene so natural yet gutsy too that I wanted to shout hooray. Even Sid clutching Martin to that ridiculous pot-chested cuirass didn't have one note of horseplay in it. Their bodies spoke. It was the McCoy. After that, the play began to get real good, the fast tempo and exaggerated facial expressions actually helping it. By the time the Dagger Scene came along I was digging my fingernails into my sweaty palms. Which was a good thing--my eating up the play, I mean--because it kept me from looking at the audience again, even taking a fast peek. As you've gathered, audiences bug me. All those people out there in the shadows, watching the actors in the light, all those silent voyeurs as Bruce calls them. Why, they might be anything. And sometimes (to my mind-wavery sorrow) I think they are. Maybe crouching in the dark out there, hiding among the others, is the one who did the nasty thing to me that tore off the top of my head. Anyhow, if I so much as glance at the audience, I begin to get ideas about it--and sometimes even if I don't, as just at this moment I thought I heard horses restlessly pawing hard ground and one whinny, though that was shut off fast. _Krishna kressed us!_ I thought, _Skiddy can't have hired horses for Nefer-Elizabeth much as he's a circus man at heart. We don't have that kind of money. Besides_-- But just then Sid-Macbeth gasped as if he were sucking in a bucket of air. He'd shed the cuirass, fortunately. He said, "Is this a dagger which I see before me, the handle toward my hand?" and the play hooked me again, and I had no time to think about or listen for anything else. Most of the offstage actors were on the other side of the stage, as that's where they make their exits and entrances at this point in the Second Act. I stood alone in the wings, watching the play like a bug, frightened only of the horrors Shakespeare had in mind when he wrote it.