New York (N.Y.) -- Fiction; Science fiction; Theater -- Fiction; Time travel -- Fiction
The blue fly came slowly buzzing down over my screen and I asked it,
"What are you looking for? A spider?" when what should I hear coming
back through the dressing room straight toward my sleeping closet but
Miss Nefer's footsteps. No one else walks that way.
_She's going to do something to you, Greta_, I thought. _She's the
maniac in the company. She's the one who terrorized you with the
boning knife in the shrubbery, or sicked the giant tarantula on you at
the dark end of the subway platform, or whatever it was, and the
others are covering up for. She's going to smile the devil-smile and
weave those white twig-fingers at you, all eight of them. And Birnam
Wood'll come to Dunsinane and you'll be burnt at the stake by men in
armor or drawn and quartered by eight-legged monkeys that talk or torn
apart by wild centaurs or whirled through the roof to the moon without
being dressed for it or sent burrowing into the past to stifle in Iowa
1948 or Egypt 4,008 B.C. The screen won't keep her out._
* * * * *
Then a head of hair pushed over the screen. But it was
black-bound-with-silver, Brahma bless us, and a moment later Martin
was giving me one of his rare smiles.
I said, "Marty, do something for me. Don't ever use Miss Nefer's
footsteps again. Her voice, okay, if you have to. But not the
footsteps. Don't ask me why, just don't."
Martin came around and sat on the foot of my cot. My legs were already
doubled up. He straightened out his blue-and-gold skirt and rested a
hand on my black sneakers.
[Illustration]
"Feeling a little wonky, Greta?" he asked. "Don't worry about me.
Banquo's dead and so's his ghost. We've finished the Banquet Scene.
I've got lots of time."
I just looked at him, queerly I guess. Then without lifting my head I
asked him, "Martin, tell me the truth. Does the dressing room move
around?"
I was talking so low that he hitched a little closer, not touching me
anywhere else though.
"The Earth's whipping around the sun at 20 miles a second," he
replied, "and the dressing room goes with it."
I shook my head, my cheek scrubbing the pillow, "I mean ... shifting,"
I said. "By itself."
"How?" he asked.
"Well," I told him, "I've had this idea--it's just a sort of fancy,
remember--that if you wanted to time-travel and, well, do things, you
could hardly pick a more practical machine than a dressing room and
sort of stage and half-theater attached, with actors to man it. Actors
can fit in anywhere. They're used to learning new parts and wearing
strange costumes. Heck, they're even used to traveling a lot. And if
an actor's a bit strange nobody thinks anything of it--he's almost
expected to be foreign, it's an asset to him."
Public-domain text, read in full here on John Shaqi.
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