New York (N.Y.) -- Fiction; Science fiction; Theater -- Fiction; Time travel -- Fiction
"You shouldn't be. She's a very great woman and tonight she's playing
an infinitely more difficult part than I am. No, Greta," he went on as
I started to protest, "believe me, you don't understand anything about
it at this moment. Just as you don't understand about spiders, fearing
them. They're the first to climb the rigging and to climb ashore too.
They're the web-weavers, the line-throwers, the connectors, Siva and
Kali united in love. They're the double mandala, the beginning and the
end, infinity mustered and on the march--"
"They're also on my New York screen!" I squeaked, shrinking back
across the cot a little and pointing at a tiny glinting
silver-and-black thing mounting below my Willy-ball.
Martin gently caught its line on his finger and lifted it very close
to his face. "Eight eyes too," he told me. Then, "Poor little god," he
said and put it back.
"Marty? Marty?" Sid's desperate stage-whisper rasped the length of the
dressing room.
Martin stood up. "Yes, Sid?"
Sid's voice stayed a whisper but went from desperate to ferocious.
"You villainous elf-skin! Know you not the Cauldron Scene's been
playing a hundred heartbeats? 'Tis 'most my entrance and we still
mustering only two witches out of three! Oh, you nott-pated
starveling!"
Before Sid had got much more than half of that out, Martin had slipped
around the screen, raced the length of the dressing room, and I'd
heard a lusty thwack as he went out the door. I couldn't help
grinning, though with Martin racked by anxieties and reliefs over his
first time as Lady Mack, it was easy to understand it slipping his
mind that he was still doubling Second Witch.
VI
I will vault credit
and affect high pleasures
Beyond death.
--Ferdinand
I sat down where Martin had been, first pushing the screen far enough
to the side for me to see the length of the dressing room and notice
anyone coming through the door and any blurs moving behind the thin
white curtain shutting off the boys' two-thirds.
I'd been going to think. But instead I just sat there, experiencing my
body and the room around it, steadying myself or maybe readying
myself. I couldn't tell which, but it was nothing to think about, only
to feel. My heartbeat became a very faint, slow, solid throb. My spine
straightened.
No one came in or went out. Distantly I heard Macbeth and the witches
and the apparitions talk.
Once I looked at the New York Screen, but all the stuff there had
grown stale. No protection, no nothing.
I reached down to my suitcase and from where I'd been going to get a
miltown I took a dexedrine and popped it in my mouth. Then I started
out, beginning to shake.
Public-domain text, read in full here on John Shaqi.
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