New York (N.Y.) -- Fiction; Science fiction; Theater -- Fiction; Time travel -- Fiction
I heard as if from two million miles, "When was it she last walked?"
and then an iron bell somewhere tolling the reply--I guess it had to
be my voice coming up through my body from my iron pants: "Since his
majesty went into the field--" and so on, until Martin had come on
stage, stary-eyed, a white scarf tossed over the back of his long
black wig and a flaring candle two inches thick gripped in his right
hand and dripping wax on his wrist, and started to do Lady Mack's
sleepwalking half-hinted confessions of the murders of Duncan and
Banquo and Lady Macduff.
So here is what I saw then without looking, like a vivid scene that
floats out in front of your mind in a reverie, hovering against a
background of dark blur, and sort of flashes on and off as you think,
or in my case act. All the time, remember, with Sid's hand hard on my
wrist and me now and then tolling Shakespearan language out of some
lightless storehouse of memory I'd never known was there to belong to
me.
* * * * *
There was a medium-size glade in a forest. Through the half-naked
black branches shone a dark cold sky, like ashes of silver, early
evening.
The glade had two horns, as it were, narrowing back to either side and
going off through the forest. A chilly breeze was blowing out of them,
almost enough to put out the candle. Its flame rippled.
Rather far back in the horn to my left, but not very far, were clumped
two dozen or so men in dark cloaks they huddled around themselves.
They wore brimmed tallish hats and pale stuff showing at their necks.
Somehow I assumed that these men must be the "rude fellows from the
City" I remembered Beau mentioning a million or so years ago. Although
I couldn't see them very well, and didn't spend much time on them,
there was one of them who had his hat off or excitedly pushed way
back, showing a big pale forehead. Although that was all the conscious
impression I had of his face, he seemed frighteningly familiar.
In the horn to my right, which was wider, were lined up about a dozen
horses, with grooms holding tight every two of them, but throwing
their heads back now and then as they strained against the reins, and
stamping their front hooves restlessly. Oh, they frightened me, I
tell you, that line of two-foot-long glossy-haired faces, writhing
back their upper lips from teeth wide as piano keys, every horse of
them looking as wild-eyed and evil as Fuseli's steed sticking its head
through the drapes in his picture "The Nightmare."
To the center the trees came close to the stage. Just in front of them
was Queen Elizabeth sitting on the chair on the spread carpet, just as
I'd seen her out there before; only now I could see that the braziers
were glowing and redly high-lighting her pale cheeks and dark red hair
and the silver in her dress and cloak. She was looking at Martin--Lady
Mack--most intently, her mouth grimaced tight, twisting her fingers
together.
Public-domain text, read in full here on John Shaqi.
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