This is not a story; there is no plot; it is just what happens every
day somewhere or other in the land of glutinous, stinking mud, where
the soles are pulled off a man's boots when he walks and horses go in
up to their bellies; where one steers a precarious and slippery course
on the narrow necks of earth that separate shell holes, and huddled
things stare up at the sky with unseeing eyes. They went "over the
top" themselves--ten days ago--in just such another local success.
Nothing, my friend! Perhaps you're right; it's mainly a sense of
proportion that is needed in war, as in other things. . . .
"Good morning, dear old soul." The machine-gun officer emerged from a
watery hole of doubtful aspect, covered with a dented sheet of
corrugated iron and a flattened-out biscuit tin--the hole that is, not
the officer. "We have slept well, thank you; and the wife and family
are flourishing. Moreover--you're late."
The Sapper regarded him pessimistically through the chilly mist of an
October dawn. "Entirely owing to my new and expensive waders being
plucked from my feet with a sucking noise. A section of haggard men
are now engaged in salvage operations. Shall we process?"
"We shall--in one sweet moment, not before. Sweet, brave heart,
because----" He put his head round the corner. "Jones--the raspberry
wine--_toute suite_. Just a hollow tooth full, and we will gambol like
young lambs the whole long weary way."
"It is well," remarked the Sapper, returning the empty mug to the
soldier servant. "Personally I like it burnt at night, with a noggin
of port. You put it in a mug, add three spoonfuls of sugar, set light
to it, and let it burn for seven minutes. Then add some port, and
drink hot. Man, you can lead an army corps . . ." His voice died away
as the two officers departed on their three-mile squelch to the front
line, and the unshaven Jones gazed after them admiringly.
"A hartist!" he murmured admiringly, "a plurry hartist. Personally,
the rasberry juice, any old 'ow for me." He disappeared from view, and
further disclosures would be tactless. . . .
And so we lift the curtain on the dawn of the 21st. Doubtless the
setting is frivolous, but it has served to introduce two of the supers
who go to make up the final scene. In the portion of the front line
for which they were bound there lay the battalion which was cast for
the principal part, and it is the prerogative of stars to have their
entrance led up to. . . .
Public-domain text, read in full here on John Shaqi.
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