When you came in the space was desultory, rectangular, warm after the drip of the winter night, and transfused with a brown-orange dust that was light. It was shaped like the house a child draws. Three groups of brown limbs spotted with brass took dim high-lights from shafts that came from a bucket pierced with holes, filled with incandescent coke and covered in with a sheet of iron in the shape of a tunnel. Two men, as if hierarchically smaller, crouched on the floor beside the brazier; four, two at each end of the hut, drooped over tables in attitudes of extreme indifference. From the eaves above the parallelogram of black that was the doorway fell intermittent drippings of collected moisture, persistent, with glass-like intervals of musical sound. The two men squatting on their heels over the brazier--they had been miners--began to talk in a low sing-song of dialect, hardly audible. It went on and on, monotonously, without animation. It was as if one told the other long, long stories to which his companion manifested his comprehension or sympathy with animal grunts. . . . An immense tea-tray, august, its voice filling the black circle of the horizon, thundered to the ground. Numerous pieces of sheet-iron said, "Pack. Pack. Pack." In a minute the clay floor of the hut shook, the drums of ears were pressed inwards, solid noise showered about the universe, enormous echoes pushed these men--to the right, to the left, or down towards the tables, and crackling like that of flames among vast underwood became the settled condition of the night. Catching the light from the brazier as the head leaned over, the lips of one of the two men on the floor were incredibly red and full and went on talking and talking. . . .