Great Britain -- History -- Charles I, 1625-1649 -- Fiction
Alone looking southward from Hollymead no mountains met the eye; in that
direction only the undulations of the Forest itself, clad in its livery
of green--all trees. But immediately in front of the house, and sloping
gently away from it, was a wide and long stretch of park-like pasture
land, where the trees stood solitary or in clumps, a double row of grand
oaks bisecting it centrally, guarding and shading the avenue which led
to the public road outside. This passed from Ruardean out of the forest
by a steep descent down to Walford, thence on to Ross.
Architecturally, Hollymead House was a singular structure. For it was
in the early Tudor style, built when bricks were a scarce and dear
commodity, and timber, in the inverse ratio, plentiful and cheap. The
walls were a framework of hewn oak--uprights, cross-beams, and diagonal
ties--due to the handiwork of the carpenter, only the spaces between
showing the skill of the mason. And, as if to keep ever in record the
fact of this double yet distinct workmanship, the painter and
whitewasher had been now and then called upon to perpetuate it by giving
separate and severely contrasting colours to what was timber and the
interspacing material of mortar and brick. The result a striped and
chequered aspect of the oddest and quaintest kind. Sir Richard might
have had it in his mind when he made the figurative allusion to a cage
and pair of pretty birds. Still it was not exactly cage-shaped, but
more like several set together, some smaller ones stuck against or
hanging from a large one that stood central; the congeries due to a
variety of wings, projecting windows, dormers, and other outworks.
Equally odd and irregular the arrangement inside. An entrance-hall with
a wide stairway carried up around it, the oak balusters very beams, with
a profusion of carving on them; on each landing, corridors dimly lighted
leading off to rooms no two on the same level; some of them
bed-chambers, only to be got at by passing through other sleeping
apartments interposed between. And, turn which way one would, along
passages, or from room to room, short flights of stairs, or it might be
but a step or two, were encountered everywhere, to the imminent risk of
leg or neck-breaking.
Though such a structure may appear strange to the modern eye, it did not
so then, for there was nothing uncommon in it Hollymead House was but
one of many like mansions of the day, though one of the largest and most
imposing. Nor are they all gone yet. Scores of such still stand
throughout the shires of the marches, and in perfect repair, to
commemorate the architectural skill, or rather the absence of it, which
distinguished our ancestry in the Tudor times.
Public-domain text, read in full here on John Shaqi.
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