England -- Social life and customs -- 19th century -- Fiction
"Mrs. Goldstraw," he said, "you are concealing something from me!"
The housekeeper obstinately repeated, "Please to favour me, sir, by
saying whether you lunch, or dine, in the middle of the day?"
"I don't know what I do in the middle of the day. I can't enter into my
household affairs, Mrs. Goldstraw, till I know why you regret an act of
kindness to my mother, which she always spoke of gratefully to the end of
her life. You are not doing me a service by your silence. You are
agitating me, you are alarming me, you are bringing on the singing in my
head."
His hand went up to his head again, and the pink in his face deepened by
a shade or two.
"It's hard, sir, on just entering your service," said the housekeeper,
"to say what may cost me the loss of your good will. Please to remember,
end how it may, that I only speak because you have insisted on my
speaking, and because I see that I am alarming you by my silence. When I
told the poor lady, whose portrait you have got there, the name by which
her infant was christened in the Foundling, I allowed myself to forget my
duty, and dreadful consequences, I am afraid, have followed from it. I'll
tell you the truth, as plainly as I can. A few months from the time when
I had informed the lady of her baby's name, there came to our institution
in the country another lady (a stranger), whose object was to adopt one
of our children. She brought the needful permission with her, and after
looking at a great many of the children, without being able to make up
her mind, she took a sudden fancy to one of the babies--a boy--under my
care. Try, pray try, to compose yourself, sir! It's no use disguising
it any longer. The child the stranger took away was the child of that
lady whose portrait hangs there!"
Mr. Wilding started to his feet. "Impossible!" he cried out, vehemently.
"What are you talking about? What absurd story are you telling me now?
There's her portrait! Haven't I told you so already? The portrait of my
mother!"
"When that unhappy lady removed you from the Foundling, in after years,"
said Mrs. Goldstraw, gently, "she was the victim, and you were the
victim, sir, of a dreadful mistake."
He dropped back into his chair. "The room goes round with me," he said.
"My head! my head!" The housekeeper rose in alarm, and opened the
windows. Before she could get to the door to call for help, a sudden
burst of tears relieved the oppression which had at first almost appeared
to threaten his life. He signed entreatingly to Mrs. Goldstraw not to
leave him. She waited until the paroxysm of weeping had worn itself out.
He raised his head as he recovered himself, and looked at her with the
angry unreasoning suspicion of a weak man.
"Mistake?" he said, wildly repeating her last word. "How do I know you
are not mistaken yourself?"
"There is no hope that I am mistaken, sir. I will tell you why, when you
are better fit to hear it."
"Now! now!"
Public-domain text, read in full here on John Shaqi.
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