"--and mean to go through with this--how you think you'll get a start
without doing something downright wrong."
"It wouldn't be fair to tempt me the way I feel to-day."
"There's only one thing," Miss Spode announced, adjusting her hat,
"that prevents me from speaking to a cop about you: I know you're a
fraud. You couldn't do anything dishonourable to save you."
"Oh, couldn't I!" Sally returned ominously. "You wait and see!"
"Well, well," said the other indulgently, "have it your own way.
Hooray for crime! But if I stop here listening to you preach
anarchy I'll be late for Sammy. So I'm off." Pausing in the doorway,
she looked back with just a trace of doubt colouring her regard. "Do
try to brace up and be sensible, honey. I'm worried about leaving you
alone with all these blue devils."
"You needn't be. I can take care of myself--"
"Well, promise to do nothing rash before I come home."
"Promises made for keeps are specifically prohibited by article nine
of the Social Pirate's Letters of Marque. But I don't mind telling you
the chances are you'll find me on the roof when you get back, unless
this heat lets up. I'm going up now; this place is simply
suffocating!"
But her smile grew dim as she resigned herself to an evening whose
loneliness promised to be unbroken; that faint flush faded which had
crept into her cheeks in the course of her half-whimsical,
half-serious harangue; she looked once more what life had made her--a
work-worn shop-girl, of lack-lustre charm, on the verge of prematurely
middle-aged, hopeless spinsterhood.
Another six months of this life would break her, body and spirit,
beyond repair.
Her eyes, that ranged the confines of those mean quarters, darkened
quickly with their expression of jaded discontent.
Another six months? She felt as if she could not suffer another six
hours. . . .
After a time she rose and moved languidly out into the hall, from
which an iron ladder led up through a scuttle to the roof, the refuge
and retreat of the studio's tenants on those breathless, interminable
summer nights when their quarters were unendurably stuffy. Here they
were free to lounge at ease, _en déshabillé_; neither the dressmaker
nor the teacher of voice-production ever troubled their privacy, and
seldom did other figures appear on any of the roofs which ran to the
Park Avenue corner on an exact plane broken only by low dividing walls
and chimney-stacks.
Three chairs of the steamer type, all maimed, comprised the furniture
of this roof-garden, with (by way of local colour) on one of the
copings a row of four red clay flower-pots filled with sun-baked dust
from which gnarled and rusty stalks thrust themselves up like withered
elfin limbs.
Selecting the soundest chair, Sally dragged it into the shadow cast by
the hood of the studio top-light, and settling down with her feet on
the adjacent coping, closed her eyes and sought to relax from her
temper of high, almost hysterical nervous tension.
Public-domain text, read in full here on John Shaqi.
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