No doubt with time imagination added its share till the remembrance
grew into her ideal of all that was true and pure and lovely, as it
was her greatest solace and comfort. Her words, except those last ones
fixed by the solemnity of death, she did not so much remember, but
the tenor of her mother’s teachings, her influence, her personality,
were indelibly stamped on her mind. In every grief her first impulsive
thought was, “Oh, my mamma!” as though even that mute appeal was a
consolation; while the reflection, “Would Mamma like to have me?”
influenced her actions more than the actual presence of many a living
mother. Never a night did she omit to kneel and repeat the prayer she
had learned at her knee. Though she had long known them all by heart,
she never grew tired of the book of child’s poems out of which her
mother had read to her. Often of an evening sitting alone and lonely,
out of her vague and fragmentary memories she would try to recall the
songs she had sung and the stories she had told her; and many a night
when the day had been hard in her small world did she cry herself to
sleep with the yearning plaint on her lips, “I do so want to see my
mamma!” All this had the effect of keeping her strangely pure, and
through the atmosphere of sordid deceit, if not worse, that surrounded
her she walked as if guided and led by the mother-hand so long still
and folded.
CHAPTER II
AN EXPOSURE
This phase of her life continued till Posey was nearly twelve. At first
in the spirit-manifestations she had simply followed the clairvoyant’s
directions, but as she became older she not only learned to make
herself up for the occasions, but to introduce little variations of her
own, which added not a little to the interest and popularity of the
_séances_. Gradually, too, she came to take a certain personal pride
in her rôle, of amusement at her own cleverness, and of elation at the
sensation she created. As for the moral question, that held no place;
she was simply a little actress playing well her part, with an under
thought of the profits.
In the earlier days when the “Madam” had both to dress her, and
teach her every detail, she had only been able to appear in one
“manifestation,” but now she could manage several, and frequently
appeared in succession as an Indian princess, a French girl, and
“little Nellie of the Golden Hair.” For the French girl, “Madam” had
her take French lessons so that her replies could be in that language,
and on occasions when all the “influences” were favorable she would
sing very softly and sadly a little French song, accompanying herself
on a “materialized” guitar.
For a long time she never ventured outside the cabinet, but gaining
boldness with practice she at last came into the room, hovering near
the circle gathered round the table, and answering any question put her
by the clairvoyant, who at such times was always in a trance.
Public-domain text, read in full here on John Shaqi.
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