At Stamford Hill Alix got off, and walked down Upper Clapton Road, which
was quiet and dark, with lime-trees. Alix softly whistled a tune that
some one had played on a violin to-night at Audrey Hillier's party. The
party, and the music, and the students' talk of art-school shop, and the
childish, absurd jokes, and the chocolates and cigarettes (she had eaten
eighteen and smoked five) were like a stimulating, soothing drug.
A policeman at the corner of Spring Hill flashed his light over her and
lit her up for a moment, hatless, cloaked, whistling softly, limping on
a stick, with her queer, narrow eyes and white face.
She turned down Spring Hill, which is an inclined road running along the
northern end of Springfield Park down to the river Lea. It is a
civilised and polite road, though its dwellings have not the dignified
opulence of the houses round the common.
Alix stopped at Violette, and let herself softly in with her latchkey.
Violette was silent and warm; the gas in the tiny hall was turned low.
The door ajar on the right showed a room also dimly lit, with a saucepan
of milk ready to heat on the gas-ring, and a plate of Albert biscuits
and a sense of recent occupation. It is very clear in an empty room by
night what sort of people have sat and talked and occupied themselves in
it by day. Their thoughts and words lie about, with their books and
sewing.
There were also in this room crochet doylies on the chairs and tables, a
large photograph of a stout and heavily-moustached gentleman above the
piano (Mr. Tucker), a small photograph of a thin and shaven and
scholarly gentleman over the writing-table (Professor Frampton), some
Marcus Stones, Landseers, and other reproductions round the walls, two
bright blue vases on the chimney-piece, containing some yellow flowers
of the kind that age cannot wither, dry, rustling, and immortal, 'Thou
seest me' illuminated in pink and gold letters, circling the picture of
a monstrous eye (an indubitably true remark, for no inhabitant of the
room could fail to see it), and the _Evening Thrill_ and _The Lovers'
Heritage_ (Mrs. Blankley's latest novel) lying on the table.
Alix sat on the table and smoked another cigarette. She always smoked
far too many. She was pale, with heavy, sleep-shadowed eyes. She had
talked and smoked and been funny all the evening.
One o'clock struck. Alix turned out the gas and went up to bed, quietly,
lest she should disturb the family. She crept into the bedroom she
shared with Evie, and undressed by the light that came in through the
half-curtained window from the darkened lamps in the street.
The faint light showed Evie, asleep in her lovely grace, the grace as of
some lithe young wild animal. Alix never tired of absorbing the various
aspects of this lovely grace.
Public-domain text, read in full here on John Shaqi.
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