At Bond Street she left the bus and went to Grafton Street, where there was a small exhibition of pictures by two young artists known to Alix. Here she met by appointment three friends, her fellow-students at the art school. Their names were Nonie Maclure, Oliver Banister, and Thomas Ashe. Miss Maclure and Mr. Banister were there before her. They greeted her with 'What cheer, Joanna?'--Joanna, because in a play composed and produced recently by their combined talent, Alix had taken this part. Alix went to speak to the exhibitors, who were standing about and failing to look detached, and began to look round, murmuring to her friends, 'What's the show like?... Oh, she's got that yellow thing in...' and so forth. Presently Mr. Thomas Ashe joined them. (It may here be mentioned, lest readers should be unfairly prejudiced against Mr. Ashe and Mr. Banister, that one of them had a frozen lung and the other a distended aorta. They were quite good young men really, and would have preferred to go.) They criticised and appreciated the pictures for an hour, with the interested criticism and over-appreciation usually poured forth by young persons on the works of their fellow-students and contemporaries, often at the expense of the older and staler and less in the only movement that really matters. 'That's like some of Doye's things,' said one of the young men, and the other said, 'Doye's wounded, isn't he? I saw it in the paper to-day. I hope it's not much.' Alix said it wasn't. 'He's on his way home. I hope they send him to a hospital in town, so we can all go and see him.' Nonie Maclure shot her a curious glance. She had never known quite how deep the intimacy between these two had gone. She sometimes wondered. She had thought just before the war that it went very deep indeed. But in these present days Alix seemed prepared to play round at large with so many young men, and to flirt, when that was the game, with a light-handed recklessness only exceeded by Nonie herself; and Nonie, of course, was notorious. 3