'She's ripping to draw,' Alix agreed. 'I often do her. And the colour's
gorgeous, too--that pink on brown. I've never got it right yet.'
'I should think she's fun to live with,' suggested Basil. 'She looks as
if she enjoyed things so much.'
'Yes, she has a pretty good time as a rule.'
'You know,' said Basil, thinking it out, 'being out there, and seeing
people smashed to bits all about the place, and getting smashed oneself,
makes one long for people like that, sane and healthy and with nothing
the matter with their bodies or minds. It gets to seem about the only
thing that matters, after a time.'
'I suppose it would.'
'Now a person like that, who looks like some sort of wood goddess--(I'd
awfully like to paint her as a dryad)--and looks as if she'd never had a
day's illness or a bad night in her life, is so--so _restful_. So alive
and yet so calm. No nerves anywhere, I should think.... Being out there
plays the dickens with people's nerves, you know. Not every one's, of
course; there are plenty of cheery souls who come through unmoved; but
you'd be surprised at the jolly, self-possessed sportsmen who go to
pieces more or less--all degrees of it, of course. Some don't know it
themselves; you can often only see it by the way their eyes look at you
while they're talking, or the way their hand twitches when they light
their cigarette....' Alix remembered John Orme's eyes and hands. 'They
dream a bit, too,' Basil went on, and his own eyes were fixed and queer
as he talked, and his brows twitched a little. 'Talk in their sleep, you
know, or walk.... It's funny.... I've censored letters which end "Hope
this finds you the same as it leaves me, _i.e._ in the pink," from chaps
who have to be watched lest they put a bullet into themselves from sheer
nerves. You'll see a man shouting and laughing at a sing-song, then
sitting and crying by himself afterwards.... Oh, those are extreme
cases, of course, but lots are touched one way or another.... I'm sorry
for the next generation; they'll stand a chance of being a precious
neurotic lot, the children of the fighting men.... It's up to every one
at home to keep as sane and unnervy as they can manage, I fancy, or the
whole world may become a lunatic asylum.... I say, what are you going to
do now?'
'Buy some chalks. Then go home.'
'Violette? I'll see you home, may I?'
4
They went to the chalk shop, then to the Clapton bus. The evening wind
was like cool hands stroking their faces. It was half-past six. The
streets were barbarically dark.
'One would think,' said Basil, peering through the darkness at the
ugliness, 'that in Kingsland Road Zepps might be allowed to do their
worst.'
'On Spring Hill too, perhaps,' Alix said. Slums and the screaming of the
disreputable poor: villas and the precise speech and incomparably
muddled thinking of the respectable genteel: which could best be spared?
But Basil said, 'Oh, Spring Hill. Spring Hill is full of joy and
dryads.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account