Alix, looking at Evie opposite, speculated amusedly for a moment where
Evie came in: Evie, who knew and cared for no news and had heard nothing
from people behind the scenes, and hadn't even had her leg pulled by
Foreign Office men. Well, Evie, of course, came in on her face. It was
jolly to have a face like that, to cover all vacancies within. Evie sat
there, understanding little, yet people spoke to her merely to discover
what, with that face, she would say. And what she said pleased and
amused merely by reason of its grace of setting.
Evie shivered, and Basil asked if she would like the window up.
'Well, it _is_ cold,' said Evie, and he leaned across and pulled it up,
asking no one else.
'Thanks so much,' said Evie, taking it prettily to herself. Her face and
eyes were brilliant above her furs. Basil, with an artist's pleasure,
took in her beauty; Alix felt him doing it. Yes, Evie came in all right.
They got out at some station. The air was like damp blankets, thick and
pale and chill. There was no joy in it; dead wet leaves floated
earthwards, unhappy like tears. They started walking somewhere. Alix
leaned on her stick. She could walk all right, but she limped. She might
soon tire, but she wasn't going to say so. They walked uphill, on a
forlorn, muddy road. They walked in groups of two or three, changing and
mixing and dividing as they went. They talked....
3
Basil for a minute was beside Alix. He said, 'I say, will this be too
much for you? Do say if you get tired, and we'll stop and rest.'
Alix hated him because she was lame and he hated lameness and loved
wholeness and strength.
She said, 'No thanks, I'm all right,' and had no more to say at the
moment. His eyes were on Evie's back, where she walked ahead with
Maynard, the married man. He thought she walked like Diana, straight and
free, with a swing.
Alix turned to speak to Terry, who was just behind with his friend
Ingram. He came abreast of her, answering. Basil caught up the two in
front.
'You look pretty fit, Terry,' said Alix.
'Oh, I'm in the pink.' His fair, unbrowned face was serene and smiling.
His far-set blue eyes were not nervous, only watchful, and seemed to see
a long way. He hadn't got Basil's or John's quick, jerky, restless
movements of the hands. He looked as if the war had more let him alone,
left him detached, unconsumed. Perhaps it was because he was a musician;
perhaps because he was naturally of a serene spirit; perhaps because he
was so young.
'Have a choc,' said Terry, and produced a box of them from the pocket of
his Burberry.
Alix had one.
'How are they all at Wood End?' she asked.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account