Dramatists -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction
Alsager, to whom he promised details
that would amuse her in later and still happier hours. Her eyes were
full of tears when he read her the last words of the finished work, and
she murmured, divinely—
“And now—to get it done, to get it done!”
“Yes, indeed—to get it done!” Wayworth stared at the fire, slowly rolling
up his type-copy. “But that’s a totally different part of the business,
and altogether secondary.”
“But of course you want to be acted?”
“Of course I do—but it’s a sudden descent. I want to intensely, but I’m
sorry I want to.”
“It’s there indeed that the difficulties begin,” said Mrs. Alsager, a
little off her guard.
“How can you say that? It’s there that they end!”
“Ah, wait to see where they end!”
“I mean they’ll now be of a totally different order,” Wayworth explained.
“It seems to me there can be nothing in the world more difficult than to
write a play that will stand an all-round test, and that in comparison
with them the complications that spring up at this point are of an
altogether smaller kind.”
“Yes, they’re not inspiring,” said Mrs. Alsager; “they’re discouraging,
because they’re vulgar. The other problem, the working out of the thing
itself, is pure art.”
“How well you understand everything!” The young man had got up,
nervously, and was leaning against the chimney-piece with his back to the
fire and his arms folded. The roll of his copy, in his fist, was
squeezed into the hollow of one of them. He looked down at Mrs. Alsager,
smiling gratefully, and she answered him with a smile from eyes still
charmed and suffused. “Yes, the vulgarity will begin now,” he presently
added.
“You’ll suffer dreadfully.”
“I shall suffer in a good cause.”
“Yes, giving _that_ to the world! You must leave it with me, I must read
it over and over,” Mrs. Alsager pleaded, rising to come nearer and draw
the copy, in its cover of greenish-grey paper, which had a generic
identity now to him, out of his grasp. “Who in the world will do it?—who
in the world _can_?” she went on, close to him, turning over the leaves.
Before he could answer she had stopped at one of the pages; she turned
the book round to him, pointing out a speech. “That’s the most beautiful
place—those lines are a perfection.” He glanced at the spot she
indicated, and she begged him to read them again—he had read them
admirably before. He knew them by heart, and, closing the book while she
held the other end of it, he murmured them over to her—they had indeed a
cadence that pleased him—watching, with a facetious complacency which he
hoped was pardonable, the applause in her face. “Ah, who can utter such
lines as _that_?” Mrs. Alsager broke out; “whom can you find to do
_her_?”
“We’ll find people to do them all!”
“But not people who are worthy.”
“They’ll be worthy enough if they’re willing enough. I’ll work with
them—I’ll grind it into them.” He spoke as if he had produced twenty
plays.
“Oh, it will be interesting!” she echoed.
Public-domain text, read in full here on John Shaqi.
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