Dramatists -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction
Wayworth laughed still louder. “You made her a little yourself. I’ve
thought of her as looking like you.”
“She ought to look much better,” said Mrs. Alsager. “No, certainly, I
shouldn’t do what _she_ does.”
“Not even in the same circumstances?”
“I should never find myself in such circumstances. They’re exactly your
play, and have nothing in common with such a life as mine. However,”
Mrs. Alsager went on, “her behaviour was natural for _her_, and not only
natural, but, it seems to me, thoroughly beautiful and noble. I can’t
sufficiently admire the talent and tact with which you make one accept
it, and I tell you frankly that it’s evident to me there must be a
brilliant future before a young man who, at the start, has been capable
of such a stroke as that. Thank heaven I can admire Nona Vincent as
intensely as I feel that I don’t resemble her!”
“Don’t exaggerate that,” said Allan Wayworth.
“My admiration?”
“Your dissimilarity. She has your face, your air, your voice, your
motion; she has many elements of your being.”
“Then she’ll damn your play!” Mrs. Alsager replied. They joked a little
over this, though it was not in the tone of pleasantry that Wayworth’s
hostess soon remarked: “You’ve got your remedy, however: have her done by
the right woman.”
“Oh, have her ‘done’—have her ‘done’!” the young man gently wailed.
“I see what you mean, my poor friend. What a pity, when it’s such a
magnificent part—such a chance for a clever serious girl! Nona Vincent
is practically your play—it will be open to her to carry it far or to
drop it at the first corner.”
Public-domain text, read in full here on John Shaqi.
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