The Republic, like this King of Fernando Po, imposes daily upon itself new taboos, new rituals. Yet there is the phenomenon of its tolerance toward the idol breakers. From the lowest depths of the crater of Riabba in which he sits enthroned the monarch of the Laongos condemns to death with a twitch of his brows all who seek to question the sanctity of the taboos. But this other occupant of the crater of Riabba-our Republic-raises gentle eyes to the idol wreckers, to the taboo destroyers. An occasional, "tut tut" escapes him. And nothing more. Whereupon the argument is that our monarch of the pit is an impotent fellow. Again, a superficial deduction. For behold the censorships with which he belabors himself. Censorship, almost extinct in the restriction of the national literature, thrives in every other field. Censorships abound. Food, drink, movies, politics, baseball, diversion, dress--all these are under the jurisdiction of a continually aroused censorship. The pulpits and editorial pages emit sonorous hymns of taboo. Every caption writer is an Isaiah, every welfare worker fancies himself the handwriting on the wall. Unchallenged by the vote of the masses or by any outward evidence of mass dissent, the platitudes pile up, the nation is filled from morning to morning with stentorian clamor. Puritanism in a frenetic finale approaches a climax. But, and we tiptoe towards the crux of this phenomenon, the Bacchanal of Presbyterianism is an artificial climax. Unlike the day of the later Caesars, the populace does not abandon itself in imitation of its Neros and Caligulas. Instead, we have the spectacle of a populace apathetic toward the spirit of its time. The Puritan debauch is the logical culmination of the anti-Paganism and backworldism launched two hundred centuries back. The Christian ethic, to the bewildered chagrin of its advocates, has triumphed. Not a triumph this time that offers itself as a cloak for Jesuitism, colonization, or empire juggling. But an unimpeachable triumph entirely beyond the control of the most adroit of the choir-Machiavellis. In other words the body politic finds itself betrayed by its own platitudes. A moral frenzy animates its horizon. But it is a frenzy of idea escaped control, an idea grown too huge and luminous to direct any longer. The moral frenzy of the war was the moral frenzy of such an idea--virtue become a Frankenstein. This virtue--the Golden Rule, the Thou Shalt Nots, the thousand and one unassailable maxims, adages, old saws invented chiefly for the protection of the weak and the solace of the inferior--this virtue has taken itself out of the hands of its hitherto adroit worshippers. A snowball rolling uphill toward God and gathering furious dimensions, it has escaped the shrewd janitors of orthodoxy who from age to age were able to keep it within bounds.