Nooks and Corners of Lancashire and Cheshire.: A Wayfarer's Notes in the Palatine Counties, Historical, Legendary, Genealogical, and Descriptive.Croston, James
History
Nooks and Corners of Lancashire and Cheshire.: A Wayfarer's Notes in the Palatine Counties, Historical, Legendary, Genealogical, and Descriptive.
Croston, James
Cheshire (England); Lancashire (England)
From the library we return through the dining-hall to an apartment
named, from its proportions, the Long Room, occupied chiefly as a
museum of natural history. Tables run the entire length, filled with
geological and mineralogical specimens illustrative of every epoch
in the world’s history; precious stones of every hue; fossil remains
and skeletons of creatures of various kinds; delicately-tinted
shells, and eggs of every shape and size; butterflies, beetles, and
birds the splendour of whose plumage would defy the painter’s art to
imitate, many of them the gift of a former student of the college,
the distinguished naturalist and genial, hospitable, and cultivated
gentleman, Charles Waterton. Another room is fitted up with mechanical
appliances, models of steam engines, &c., and adjoining it is one
devoted to the purposes of a laboratory.
One of the great attractions of the place is the Sodality Chapel,
as it is called, devoted to the use of the students whilst “saying
their office,” small, but a very marvel of architectural skill and
decorative art. As we pass through the ante-chapel our attention is
arrested by a large plaster model of Auchterman’s celebrated sculpture,
the Dead Christ supported by the Virgin, placed there to commemorate
the services of Father Clough, who for a period of twelve years was
rector or principal of the college. The Sodality Chapel was erected
in 1856 from the designs of Mr. C. A. Buckler, of Oxford. It is
Gothic in character of the 15th century period, and is remarkable for
the elaborate carving and sculpture, and the profuse decoration in
polychrome displayed. There is an apsidal termination lighted by three
two-light windows with oak traceried panelling carried round; the altar
has wreathed columns of alabaster, and the reredos is of stone and
alabaster, with a statue of the Virgin in the centre, surmounted by a
richly-decorated canopy. The windows are filled with stained glass,
the work of Hardman, of Birmingham. Close to this beautiful example of
Gothic art is the Community Chapel, in which the students attend mass
every morning.
Public-domain text, read in full here on John Shaqi.
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