As previously stated, there is another church connected with the institution, St Peter’s, erected nearly half a century ago, and of much larger dimensions, being intended for the use of the neighbourhood as well as that of the inmates of the college. It will accommodate about 1,500 worshippers, and, considering the date of its erection, will bear favourable comparison with many of the Gothic structures of more recent years. Painting, carving, and sculpture have been freely employed, with everything that could add to that architectural effect the love of which forms so distinguishing a feature of the Roman Church. The interior, with its spacious nave, its “long drawn” aisles, its lofty arches, and its elegant oak-panelled roof, has a very imposing appearance. The high altar has a reredos behind, rich in carving, and above is a magnificent window divided into five lights with a traceried head, and subdivided by double transoms into fifteen compartments, each filled with the image of one of the apostles or saints in stained glass, while the storied windows of the clerestory “shoot down a stained and shadowy stream of light.” Within the sanctuary are two niches occupied with statues of SS. Peter and Paul, and we also noticed two coloured frescoes, the work of Wurm and Fischer, of Munich, the one representing Ignatius Loyola, the founder of the order, administering the communion to his first missionary companions, and the other, St. Francis Xavier, “the apostle of India and Japan,” who threw around the society the lustre of poetry in action, and “the mists of the wonderful, if not the dignity of historic heroism,” preaching to the Indians, some of whom are represented as breaking their idols in his presence. The college chapel, as we have said, is situated near the south-west angle of the main structure. Occupying very nearly a corresponding position at the north-west side is the hospital, connected with the main building by a broad corridor, the walls of which are hung with portraits and engravings.