Not far from Blickling to the north-east is Mannington Hall, a mansion
built in the reign of Henry VI., which possesses one of the best
authenticated ghost stories of modern times. The story is the more
interesting as it is recorded by that learned and delightful chronicler
Dr. Jessop, chaplain to His Majesty the King. The strange experiences of
his visit in October 1879 are duly recorded in the _Athenaeeum_ of the
following January. The rest of the household had retired to rest, and
Dr. Jessop was sitting up making extracts from some rare books in an
apartment adjoining the library. Absorbed in his study, time had slipped
away and it was after one o'clock. "I was just beginning to think that
my work was drawing to a close," says the doctor, "when, as I was
actually writing, I saw a large white hand within a foot of my elbow.
Turning my head, there sat a figure of a somewhat large man, with his
back to the fire, bending slightly over the table, and apparently
examining the pile of books that I had been at work upon. The man's face
was turned away from me, but I saw his closely-cut, reddish brown hair,
his ear and shaved cheek, the eyebrow, the corner of his right eye, the
side of the forehead, and the large high cheekbone. He was dressed in
what I can only describe as a kind of ecclesiastical habit of thick
corded silk, or some such material, close up to the throat, and a narrow
rim or edging of about an inch broad of satin or velvet serving as a
stand-up collar and fitting close to the chin. The right hand, which had
first attracted my attention, was clasping, without any great pressure,
the left hand; both hands were in perfect repose, and the large blue
veins of the right hand were conspicuous. I remember thinking that the
hand was like the hand of Velasquez's magnificent 'Dead Knight' in the
National Gallery. I looked at my visitor for some seconds, and was
perfectly sure that he was a reality. A thousand thoughts came crowding
upon me, but not the least feeling of alarm or even of uneasiness.
Curiosity and a strong interest were uppermost. For an instant I felt
eager to make a sketch of my friend, and I looked at a tray on my right
for a pencil: then thought, 'Upstairs I have a sketch-book; shall I
fetch it?' There he sat and I was fascinated, afraid not of his staying,
but lest he should go. Stopping in my writing, I lifted my left hand
from the paper, stretched it out to a pile of books and moved the top
one. I cannot explain why I did this. My arm passed in front of the
figure, and it vanished. Much astonished, I went on with my writing
perhaps for another five minutes, and had actually got to the last few
words of the extract when the figure appeared again, exactly in the same
place and attitude as before. I saw the hand close to my own; I turned
my head again to examine him more closely, and I was framing a sentence
to address to him when I discovered that I did not dare to speak. I was
Public-domain text, read in full here on John Shaqi.
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