Buried in a hollow, and hidden from view by encircling trees and hills, is that wonderful old mansion Compton Wyniates. The name (derived from the ancient family of Compton and Wyniates, a corruption of vineyard, for at an early period the vine was here cultivated) is suggestive of something quaint, and indeed a more curious old house could not be found. Its innumerable gables and twisted chimneys seem to be heaped up in the most delightful confusion, in abandoned opposition to any architectural regularity. The eye wanders from tower and turret until it becomes bewildered by so many twists and angles. Look at the square box of a house like Moor Park, for example, and wonder how it is that having arrived at such picturesque perfection, taste should so degenerate. But half the fascination of Compton Wyniates is its colour; its time-worn dark-red brick and the grey-green lichens of ancient roofs. Upon one side the curious gables and countless chimney clusters are reflected in the moat, part of which now does service as a sunken garden. Passing through the bullet-battered door of the main entrance, over which are the Royal arms of England supported by a griffin and a dog, we enter a quadrangular court and thence pass into the great hall, with its open timber roof black with the smoke of centuries. The screen beneath the music gallery is elaborately carved with leaf tracery, grotesque figures of mounted knights, and the escutcheon of the Compton arms. Above the gallery we notice the huge oak beams which form the half-timber portion of one of the principal gables, and cannot help comparing these tremendous oak trunks with the modern laths plastered in front of houses: a futile attempt to imitate this popular style, without aiming at its _object_--strength.