Few houses so thoroughly retain their ancient appearance as Baddesley.
It dates from the latter part of the fifteenth century, and is a
singularly well-preserved specimen of a moated and fortified manor-house
of that period. Like Compton Wyniates, its situation is very secluded in
its densely wooded park, and formerly there was a double moat for extra
defence; but for all its retiredness and security, the old house has a
kindly greeting for those who are interested in such monuments of the
past. A stone bridge across the moat leads to a projecting embattled
tower with a wide depressed archway, showing provision for a portcullis
with a large mullioned window over it. In general appearance the front
resembles the moated house of Ightham, with which it is coeval, and the
half-timbered gables of the courtyard are somewhat similar. Unlike
Charlecote, the interior is as untouched as the exterior. Everywhere
there are quaint old "linen" panelled rooms and richly carved
chimney-pieces--windows of ancient heraldic glass, and old furniture,
tapestry, and paintings. The hall is not like some, that never look cosy
unless there is a blazing log fire in the hearth. There is something
particularly inviting in this old room, with its deep-recessed mullioned
window by the great freestone Jacobean fireplace. What pictures could
not the imagination conjure up in this cosy corner in the twilight of an
autumn day! On the first floor over the entrance archway is the
"banqueting-room," with high coved ceiling and tapestry-lined walls.
Beyond this is "Lord Charles' room," haunted, it is said, by a handsome
youth with raven hair. Many years ago this spectre was seen by two of
the late Mr. Marmion Ferrers' aunts when they were children, and they
long remembered his face and steadfast gaze. A mysterious lady dressed
in rich black brocade is occasionally encountered in the corridors in
broad daylight, like the famous "Brown Lady" of Raynham Hall.
Public-domain text, read in full here on John Shaqi.
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