From the hall, we pass up the great oak staircase to bedrooms and
corridors containing chests and cabinets full of ancient deeds and
manuscripts, not the least remarkable of which is a parchment roll upon
which is painted a series of mysterious astrological and other pictures,
supposed once upon a time to have been the property of the necromancer
Dr. John Dee, who lived for some time in the neighbouring town of
Upton-on-Severn. If this is really a document of Dr. Dee's, one would
like to see it preserved with the famous crystal in the British Museum.
The old presses and cupboards are full of the richly embroidered
bed-hangings and homespun sheets wrought by the ladies of the house in
the days when their energies were devoted to domestic purposes, and the
idea of hockey or ladies' clubs would have made their hair to stand
erect. There are piles of arras carefully packed away when wall-paper
came in fashion. There are chairs and tables dating back three centuries
or more, and mirrors which have reflected fair faces patched, with
head-gear piled up mountain high.
In a corner stands a spinning-wheel, distaff, and reel complete, as if
some dainty damsel at work had fled at the approach of footsteps; and
there beyond is a dusty pillion which conjures up a picture of Mistress
Lane seated behind "Will Jackson" upon their way to Bristol. The ancient
glass and china, too, would whet the appetite of the most exacting
connoisseur. But we must not linger longer, or we shall envy these
choice possessions.
[Illustration: PIRTON COURT.]
[Illustration: SEVERN END.]
[Illustration: SEVERN END.]
Public-domain text, read in full here on John Shaqi.
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