The adjacent monument, which closely resembles its neighbour, records another member of the White family. Both these tombs are enriched with figures, in panels of bold relief, with a running inscription in mediæval character carved upon the margin. Our attention is next attracted by the gaily-tinted effigy of William Risam, who, clad in aldermanic robes, kneels beneath a canopy built into the chapel wall. The figure is coloured in such a life-like manner that, as the story goes, a Parliamentarian soldier fired at the supposed enemy; in witness whereof a bullet-hole may be discerned above the head of the effigy. Near at hand lies the last of that ancient family the Vaughans, of Dunraven in South Wales; a man who, having run through his patrimony at breakneck pace, allowed the ancestral mansion to fall into ruin, and betook himself to a lonely turret upon the seaward cliffs. Here he is said to have spent his time in showing false lights along the coast, in order to lure passing vessels ashore and enrich himself by the plunder of their cargoes. One stormy night, during one of these sinister exploits, the body of his only son was washed ashore at his feet; when, overcome by this ominous catastrophe, he quitted the neighbourhood, withdrew from all intercourse with his fellow-creatures, and ended his days in seclusion at Tenby. Standing upon the chapel floor hard by, we espy a fine old fifteenth-century church bell bearing in black-letter characters the words SANCTA ANNA, with the initials R. T. This is the ancient sanctus-bell of this same chapel of St. Anne, which has descended to its present lowly position from the exterior of the tower, having been hung there, as is supposed, long years ago by Thomas ap Rhys, of Scotsborough, a descendant of the famous Rhys ap Thomas who played so important a part in the establishment of Henry VII. upon the throne. The memory of this worthy knight is kept evergreen by the gaudy and rather pretentious-looking monument seen on the farther wall. There he kneels, with folded hands, arrayed in ruffles and trunk-hose; his 'better half,' who is represented as of gigantic proportions, reposing uncomfortably upon her side; while in panels beneath appear the sons and daughters, arranged in symmetrical gradation. A glance at the sketch will show the pretty contrast afforded by the diversified forms of the arches; while the lofty flight of steps ascending to the chancel, and the dark timbers of the roof supported by well-carved angels upon massive brackets, enhance the effect of the handsome interior. [Illustration: RUINS OF ST. MARYS PRIORY AT TENBY.]