Breasting the rough ascent, we now march across the upland meadows of Parson's Piece; making in a 'bee-line' for Manorbere Church, whose slim gray tower peers over an intervening bank. Perched high aloft upon a bleak hillside, across whose treeless heights 'breathes the shrill spirit of the western wind,' this venerable fabric rises in lonely isolation, and confronts in peaceful rivalry the towers and battlements of the grim old fortalice that crowns the opposite hill. For quaint picturesqueness, and the singular grouping of its various parts, this curious old church stands unrivalled, even in this land of remarkable churches, combining as it does almost every feature characteristic of such buildings throughout the locality. Originally in all probability a cruciform structure, the church has apparently been added to at various times in a capricious fashion; so that the exterior now presents the quaintest imaginable variety of walls, windows and gables; all jumbled together in seemingly haphazard fashion, and falling into fantastic groups, as may be seen from the adjoining sketch. It will be noticed that one of the gables is surmounted by the original bell-cot, which probably existed prior to the erection of the tower; the latter rises above a medley of roofs upon the northern side of the chancel, and contains a bell inscribed with the legend: EXALTEMUS NOMEN DOMINI, 1639. Passing around to the south porch, we enter a low nave arched over with a slightly-pointed, stone-vaulted ceiling. Strange, low, rudely-fashioned arches, entirely disdaining the support of pillars, rise sheer from the level of the floor upon either hand, giving access to the narrow aisles behind. These arches are, unfortunately, so enveloped in the general coating of whitewash, that it is impossible now to discover whether they were originally built as arches, proper, or are merely openings cut through the walls when the aisles were added to the nave. A little window of early type opens above one of these arches; the sole survivor of some old windows that existed previous to the building of the aisles. Short, tunnel-like transepts open out on either hand, the one towards the north having a low ceiling, crossed by the curious arched ribs seen in our sketch above. The gangway that formerly gave access to the rood-loft now leads, in a queer, tortuous course, from the north aisle across the adjacent transept to the tower, which is entered by a door high aloft in the wall. To the right a 'squint' passage opens skew-wise into the chancel, where, beneath a plain arched recess, lies the recumbent stone effigy of a Crusader clad in chain mail, having his legs crossed at the knees and sword and shield, charged with the arms of De Barri, beside him. This monument commemorates one of the ancient lords of Manorbere, who 'came over with the Conqueror,' and shared with Fitz-Hamon and his knights in the partition of these lands.