In the hundreds of "Prison Souvenirs" which were published immediately after the fall of Robespierre, one may gain an idea of what sort of existence prisoners led, deprived of every necessity, devoured by vermin, brutally treated by drunken or cruel keepers; and one should see the gloomy courtyard where they came to get a breath of fresh air, a narrow triangular space of ground between the walls of the prison and the women's yard. This arrangement had one compensation; a simple iron railing separated the two enclosures, so that friends could exchange looks and language, and even the last kiss and embrace. [Illustration: THE COUR DES FILLES IN THE CONCIERGERIE _Schaan, pinxit_] This railing still exists, black, rusty, and ill-looking, creaking as of yore; and it is not difficult to conjure up the images of those that bent over it. Madame Elizabeth, Madame Roland, Cécile Renaud, Lucile Desmoulins, Madame de Montmorency, and Charlotte Corday touched it with their dresses; and Du Barry, one of the few women who trembled at the prospect of death--"A minute longer, headsman"--also clung to it! This railing, the so-called chapel of the Girondins, the passage called the "Rue de Paris," the small infirmary, and the Queen's dungeon are, together with the barred cell in which women awaited execution, the sole vestiges of the ancient prison. Farther on, a big wall, newly raised, shuts off the dismal route along which the condemned passed, and closes up the former entrance to the registrar's office in the Conciergerie. Let us take a hasty walk round the Prison, alas! modified and rearranged. Let us pause, however, before the door of the dungeon in which Marie Antoinette was confined during the last thirty-five days of her life. The Restoration, which assumed the task of sweeping away many things, began with this melancholy place. Abominable coloured panes have been put in the more than half-blocked up and carefully barred window from behind which the Queen, whose eyes had suffered from the damp prison and want of care, tried to obtain a little air and light. Only the flooring of this room, three yards by five, is intact. A low screen once divided it off from the chamber where two prison gendarmes were continually on guard. There, the unfortunate woman pined, in lack of everything, a prey to anxiety, without news of her family, reduced to borrow the linen she required from the kindness of Richard, the porter. Her last tire-woman was the humble servant Rosalie Lamorlière, who, "not daring to make her a single curtsey for fear of compromising or afflicting her," threw over her shoulders a white linen handkerchief, an hour before her departure to the scaffold.