For Wordsworth’s poetry Macleod had been prepared, because its materials were within his own emotional experience. Passage after passage only interpreted and defined for him feelings which he had long known in the presence of wild nature. Of the influences that went to form his moral constitution not the least marked was that of Highland scenery. Even amidst the gaieties of Weimar, he would shut his eyes, and, whistling a Highland tune, see the old hills. The autumn after he was licensed--1837--the last before his life-work began--was spent in Morven and Skye. He speaks of ‘passionate hours in the lonely mountains,’ and, to judge from his journal, his excitement in these scenes was wonderful, varying from ecstatic delight to solemn awe and worship. On a peak of the Coolins he burst out singing the Hundredth Psalm. Along with this must be taken his keen consciousness of the hereditary associations. During his holiday he preached in ‘the same pulpit where once stood a revered grandfather and father.’ ‘As I went to the church,’ he writes, ‘hardly a stone or knoll but spoke of something which was gone, and past days crowded upon me like the ghosts of Ossian, and seemed, like them, to ride even on the passing wind and along the mountain tops. What a marvellous, mysterious world is this, that I in this pulpit, the third generation, should now, by the grace of God, be keeping the truth alive on the earth, and telling how faithful has been the God of our fathers.’ CHAPTER II 1838-1843 LOUDOUN--NON-INTRUSION CONTROVERSY