Normandy: The Scenery & Romance of Its Ancient Towns, Part 3 — John Shaqi
Normandy: The Scenery & Romance of Its Ancient Towns, Part 3Home, Gordon
History
Normandy: The Scenery & Romance of Its Ancient Towns, Part 3
Home, Gordon
Normandy (France) -- Description and travel
Produced by Ted Garvin, Beth Trapaga and the Distributed Proofreading
Team
NORMANDY:
THE SCENERY & ROMANCE OF ITS ANCIENT TOWNS:
DEPICTED BY GORDON HOME
Part 3.
CHAPTER VII
Concerning Mont St Michel
So, when their feet were planted on the plain
That broaden'd toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
At times the summit of the high city flash'd;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that open'd on the field below:
Anon, the whole fair city disappeared.
Tennyson's _Gareth and Lynette_
"The majestic splendour of this gulf, its strategetic importance, have at
all times attracted the attention of warriors." In this quaint fashion
commences the third chapter of a book upon Mont St Michel which is to be
purchased in the little town. We have already had a glimpse of the
splendour of the gulf from Avranches, but there are other aspects of the
rock which are equally impressive. They are missed by all those who,
instead of going by the picturesque and winding coast-road from
Pontaubault, take the straight and dusty _route nationale_ to Pontorson,
and then turn to follow the tramway that has in recent years been extended
along the causeway to the mount itself. If one can manage to make it a
rather late ride along the coast-road just mentioned, many beautiful
distant views of Mont St Michel, backed by sunset lights, will be an ample
reward. Even on a grey and almost featureless evening, when the sea is
leaden-hued, there may, perhaps, appear one of those thin crimson lines
that are the last efforts of the setting sun. This often appears just
behind the grey and dim rock, and the crimson is reflected in a delicate
tinge upon the glistening sands. Tiny rustic villages, with churches humble
and unobtrusive, and prominent calvaries, are passed one after the other.
At times the farmyards seem to have taken the road into their own hands,
for a stone well-head will appear almost in the roadway, and chickens,
pigs, and a litter of straw have to be allowed for by those who ride or
drive along this rural way. When the rock is still some distance off, the
road seems to determine to take a short cut across the sands, but thinking
better of it, it runs along the outer margin of the reclaimed land, and
there is nothing to prevent the sea from flooding over the road at its own
discretion. Once on the broad and solidly constructed causeway, the rock
rapidly gathers in bulk and detail. It has, indeed, as one approaches, an
almost fantastic and fairy-like outline. Then as more and more grows from
the hazy mass, one sees that this remarkable place has a crowded and much
embattled loneliness. Two round towers, sturdy and boldly machicolated,
appear straight ahead, but oddly enough the wall between them has no
Public-domain text, read in full here on John Shaqi.
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