Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpretedAnderson, Rasmus Björn
Religion
Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted
Anderson, Rasmus Björn
Mythology, Norse; Northmen -- Religion; Old Norse literature; Tales, Medieval
Odin had a spear called Gungner. The word means producing a violent
shaking or trembling, and it most thoroughly shook whomsoever was hit by
it. As has been seen above, it was made by the sons of Ivald (the
dwarfs), and was presented to Odin by Loke. Odin speeds forth to the
field of battle with golden helmet, resplendent armor, and his spear
Gungner. Oath was taken on the point of Gungner. This spear is
frequently referred to in the semi-mythological Sagas, where spears are
seen flying over the heads of the enemy; they are panic-stricken and
defeated. Spears are sometimes seen as meteorical phenomena, showing
that war is impending. The spear symbolizes Odin’s strength and power.
When Odin’s spear was thrown over anybody, Odin thereby marked him as
his own. Did not Odin wound himself with a spear, and thereby consecrate
himself to heaven? (See pp. 254-261.) When Odin puts the spear into the
hands of the warrior, it means that he awakens and directs his deeds of
valor. When Odin is the god of poetry and eloquence (Anglo-Saxon _wód_),
then the spear Gungner is the keen, stinging satire that can be
expressed in poetry and oratory.
Odin’s horse Sleipner (slippery) was the most excellent horse. Runes
were carved on his teeth. The following myth gives us an account of his
birth: When the gods were constructing their abodes, and had already
finished Midgard and Valhal, a certain artificer came and offered to
build them, in the space of three half years, a residence so well
fortified that they should be perfectly safe from the incursions of the
frost-giants and the giants of the mountains, even though they should
have penetrated within Midgard. But he demanded for his reward the
goddess Freyja, together with the sun and moon. After long deliberation
the gods agreed to his terms, provided he would finish the whole work
himself without any one’s assistance, and all within the space of one
winter; but if anything remained unfinished on the first day of summer,
he should forfeit the recompense agreed on. On being told these terms,
the artificer stipulated that he should be allowed the use of his horse,
called Svadilfare (slippery-farer), and this by the advice of Loke was
granted to him. He accordingly set to work on the first day of winter,
and during the night let his horse draw stone for the building. The
enormous size of the stones struck the gods with astonishment, and they
saw clearly that the horse did one half more of the toilsome work than
his master. Their bargain, however, had been concluded in the presence
of witnesses and confirmed by solemn oaths, for without these
precautions a giant would not have thought himself safe among the gods,
especially when Thor returned from an expedition he had then undertaken
toward the east against evil demons.
Public-domain text, read in full here on John Shaqi.
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