thunder, and finally of a god yet more mighty, whom she ventures not to name, and here she ends her tale. She will not prophesy further than to where Odin is swallowed by the Fenris-wolf and the world by the yawning abyss. Freyja after this asks her for a drink of remembrance to give to Ottar, her guest and favorite, in order that he might be able to remember the whole talk and the pedigree two days afterwards, when the case between him and Angantyr should be decided by proofs of this kind. Hyndla refuses to do this, and upbraids her with abusive language. By this Freyja is excited to wrath and threatens to kindle a fire around the giantess, from which she would not be able to escape, if she did not comply with her request. When the threat begins to be carried out (at the breaking forth of the flaming aurora in the morning) Hyndla gives the requested drink, but at the same time curses it. Freyja is not terrified by this, but removes the curse by her blessing and earnest prayers to all divinities for the success of her beloved Ottar. We should like to give the lay in full, as it is found in the Elder Edda, but having quoted several strophes from it before, and it being quite long, we reluctantly omit it. We advise our readers, however, by all means to read the ELDER EDDA. There is more profound thought in it than in any other human work, not even Shakespeare excepted. What a pity that it is so little known! Women came after death to Freyja. When Egil Skallagrimson had lost his young son, and was despairing unto death on this account, his daughter Thorgerd, who was married to Olaf in Lax-aa-dal, comes to console him; and when she hears that he will neither eat nor drink, then she also says that she has not and will not eat or drink before she comes to Freyja. With _her_, lovers who have been faithful unto death are gathered; therefore Hagbard sings: Love is renewed in Freyja’s halls. Freyja is the goddess of love between man and woman. Hence we find in her nature, beauty, grace, modesty, the longings, joys, and tears of love, and we find also that burning love in the heart which breaks out in wild flames. She rules in _Folk_vang, in the human dwellings, where there are seats enough for all. No one escapes her influence. Odin shares the slain equally with her, for the hero has _two_ grand objects in view—to conquer his enemy and to win the heart of the maiden. Thus the Norse mythology teaches us that the sturdy Norseman was not insusceptible to impressions from beauty nor unmoved by love. The most beautiful flowers were named after Freyja’s hair and eye-dew, and even animate objects, which, like the flowers, were remarkable for their beauty, were named after this goddess, as for instance the butterfly (Icel. _Freyjuhœna_—Freyja’s hen).