There is a semi-mythological Saga called Orvarodd’s Saga. Orvarodd signifies Arrow-odd; and as this same Arrow-odd is implicated in a large number of love exploits, it has been suggested that he may be Freyja’s husband, whose name the reader remembers was Oder, the stem of which is _od_, and hence we have in the North also not only a _goddess_ of love, but also a god of love (Cupid), with his arrows! Freyja’s cats symbolize sly fondling and sensual enjoyment. The name of her husband, Oder, means sense, understanding, but also wild desire. The various names bestowed upon Freyja when she travels among the different nations denote the various modes by which love reveals itself in human life. The goddesses Sjofn, Lofn, and Var, heretofore mentioned, were regarded as messengers and attendants of Freyja. Friday (_dies Veneris_) is named after her. (See page 237.) SECTION VII. A BRIEF REVIEW. The lives and exploits of the propitious divinities have now been presented; and in presenting the myths we have not only given the forces and phenomena of nature symbolized by the myths, but we have also tried to bring the mythology down from heaven to the earth, and exhibit the value it had in the minds of our ancestors. We have tried, as Socrates did with his philosophy, to show what influence the myths have had upon the life of our forefathers; in other words, we have tried to put a kernel into the shell. We have tried to present the mythology, not as the science and laws by which the universe is governed, but as something—call it science or what you will—by which to illustrate how the contemplation of the forces and phenomena of nature have influenced human thought and action. Language is in its origin nothing but impressions from nature, which having been revolved for a time in the human mind find their expression in words. Poetry is in its origin nothing else but expressions of human thought and feeling called forth by the contemplation of the wonderful works of God. And this is also true of mythology.