Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpretedAnderson, Rasmus Björn
Religion
Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted
Anderson, Rasmus Björn
Mythology, Norse; Northmen -- Religion; Old Norse literature; Tales, Medieval
which God has founded or man has imagined, but still beautiful beyond
conception.
The Elder Edda opens with Völuspá (the vala’s prophecy), and this song
may be regarded as one of the oldest, if not the oldest, poetic monument
of the North. In it the mysterious vala, or prophetess, seated somewhere
unseen in the marvelous heaven, sings an awful song of the birth of gods
and men; of the great Ygdrasil, or Tree of Existence, whose roots and
branches extend through all regions of space, and concludes her
thrilling hymn with the terrible Ragnarok, or Twilight of the gods, when
Odin and the other gods perish in the flames that devour all creation,
and the new heavens and new earth rise beautifully green to receive the
reign of Balder and of milder natures.
The second song in the Elder Edda is Hávamál (the high-song of Odin).
Odin himself is represented as its author. It contains a pretty complete
code of Odinic morality and precepts of wisdom. The moral and social
axioms that are brought together in Hávamál will surprise the reader,
who has been accustomed to regard the Norsemen as a rude and half wild
race, hunting in the savage forests of the North, or scouring the coasts
of Europe in quest of plunder. They contain a profound knowledge, not
merely of human nature, but of human nature in its various social and
domestic relations. They are more like the proverbs of Solomon than
anything in human literature.
The third poem in the Elder Edda is Vafthrudnismál (that is,
Vafthrudner’s speech or song). Vafthrudner is derived from _vaf_, a web
or weaving, and _thrúð_, strong; hence Vafthrudner is the _powerful
weaver_, the one powerful in riddles, and it is the name of a giant, who
in the first part of the poem propounds a series of intricate questions
or riddles. Odin tells his wife Frigg that he desires to visit the
all-wise giant Vafthrudner, to find out from him the secrets of the past
and measure strength with him. Frigg advises him not to undertake this
journey, saying that she considers Vafthrudner the strongest of all
giants. Odin reminds her of his many perilous adventures and
experiences, arguing that these are sufficient to secure him in his
curiosity to see Vafthrudner’s halls. Frigg wishes him a prosperous
journey and safe return, and also the necessary presence of mind at his
meeting with the giant. Odin then proceeds on his journey and enters the
halls of Vafthrudner in the guise of a mortal wayfarer, by name
Gangraad. He greets the lord of the house, and says he is come to learn
whether he was a wise or omniscient giant. Such an address vexes
Vafthrudner, coming as it did from a stranger, and he soon informs
Gangraad that if he is not wiser than himself he shall not leave the
hall alive. But the giant, finding, after he had asked the stranger a
few questions, that he really had a worthy antagonist in his presence,
invites him to take a seat, and challenges him to enter into a
Public-domain text, read in full here on John Shaqi.
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