Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpretedAnderson, Rasmus Björn
Religion
Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted
Anderson, Rasmus Björn
Mythology, Norse; Northmen -- Religion; Old Norse literature; Tales, Medieval
disputation, that they might measure their intellectual strength, on the
condition that the vanquished party—the one unable to answer a question
put to him by the other—should forfeit his head. Odin accepts this
dangerous challenge. They accordingly discuss, by question and answer,
the principal topics of Norse mythology. The pretended Gangraad asks the
giant many questions, which the latter answers correctly; but when the
former at length asks his adversary what Odin whispered in the ear of
his son Balder before he had been placed on the funeral pile—a question
by which the astonished giant becomes aware that his antagonist is Odin
himself, who was alone capable of answering it,—the giant acknowledges
himself vanquished, and sees with terror that he cannot avoid the death
which he in his cruel pride had intended to inflict upon an innocent
wanderer.
The fourth song is Grimnismál (the song of Grimner). It begins with a
preface in prose, in which it is related that Odin, under the name of
Grimner, visited his foster-son Geirrod, and the latter, deceived by a
false representation by Frigg, takes him for a sorcerer, makes him sit
between two fires and pine there without nourishment for eight days,
until Agnar, the king’s son, reaches him a drinking-horn. Hereupon
Grimner sings the song which bears his name. Lamenting his confinement
and blessing Agnar, he goes on to picture the twelve abodes of the gods
and the splendors of Valhal, which he describes at length, and then
speaks of the mythological world-tree Ygdrasil, of the valkyries, of the
giant Ymer, of the ship Skidbladner, and adds various other cosmological
explanations.
The fifth song is Skirnismál, or För Skirnis (the journey of Skirner).
This gives in the form of a dialogue the story of Frey and Gerd, of his
love to her, and his wooing her through the agency of his faithful
servant Skirner, after whom the song is named.
The sixth is the Lay of Harbard. It is a dialogue between Thor and the
ferryman Harbard, who refuses to carry him over the stream. This
furnishes an occasion for each of them to recount his exploits. They
contrast their deeds and exploits. The contest is continued without
interruption until near the end of the poem, where Thor finally offers a
compromise, again requesting to be taken over the river. Harbard, who is
in fact Odin, again refuses in decided terms. Then Thor asks him to show
him another way. This request Harbard seems in a manner to comply with,
but refers Thor to Fjorgyn, his mother. Thor asks how far it is, but
Harbard makes enigmatical answers. Thor ends the conversation with
threats and Harbard with evil wishes.
Public-domain text, read in full here on John Shaqi.
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