Northern Georgia SketchesHarben, Will N. (Will Nathaniel)
General
Northern Georgia Sketches
Harben, Will N. (Will Nathaniel)
Georgia -- Social life and customs -- Fiction; Short stories, American
After the war nobody saw any need for a mill at that point, and Neil
Filmore had bought the property from its impoverished owner and turned
the building into a store. It proved to be a fair location, for there
was considerable travel along the two main roads, and as Filmore was
postmaster his store became the general meeting-point for everybody
living within ten miles of the spot. He kept for sale, as he expressed
it, “a little of everything, from shoe-eyes to a sack of guano.” Indeed,
a sight of his rough shelves and unplaned counters, filled with cakes of
tallow, beeswax and butter, bolts of calico, sheeting and ginghams, and
the floor and porch heaped with piles of skins, cases of eggs, coops
of chickens, and cans of lard, was enough to make an orderly housewife
shudder with horror.
But Mrs. Filmore had grown accustomed to this state of affairs in the
front part of the house, for she confined her domestic business, and
whatever neatness and order were possible, to the room in the rear,
where, as she often phrased it, she did the “eatin’ an’ cookin’, an’
never interfeer with pap’s part except to lend ’im my cheers when thar
is more ’n common waitin’ fer the mail-carrier.”
And her chairs were often in demand, for Filmore was a deacon in Big
Cabin Church, which stood at the foot of the green-clad mountain a
mile down the road, and it was at the store that his brother deacons
frequently met to transact church business.
One summer afternoon they held an important meeting. Abner Calihan, a
member of the church and a good, industrious citizen, was to be tried
for heresy.
“It has worried me more ’n anything that has happened sence them two
Dutchmen over at Cove Spring swapped wives an’ couldn’t be convinced
of the’r error,” said long, lean Bill Odell, after he had come in and
borrowed a candle-box to feed his mule in, and had given the animal
eight ears of corn from the pockets of his long-tailed coat, and left
the mule haltered at a hitching-post in front of the store.
“Ur sence the widder Dill swore she was gwine to sue Hank Dobb’s wife
fer witchcraft,” replied Filmore, in a hospitable tone. “Take a cheer;
it must be as hot as a bake-oven out thar in the sun.”
Bill Odell took off his coat and folded it carefully and laid it across
the beam of the scales, and unbuttoned his vest and sat down, and
proceeded to mop his perspiring face with a red bandanna. Toot Bailey
came in next, a quiet little man of about fifty, with a dark face,
straggling gray hair, and small, penetrating eyes. His blue jean
trousers were carelessly stuck into the tops of his clay-stained boots,
and he wore a sack-coat, a “hickory” shirt, and a leather belt. Mrs.
Filmore put her red head and broad, freckled face out of the door of her
apartment to see who had arrived, and the next moment came out dusting a
“split-bottomed” chair with her apron.
Public-domain text, read in full here on John Shaqi.
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