Canada, Northern -- Fiction; Short stories, Canadian
Thus it is that Northern Lights is written in a wholly different style
from that of Pierre and His People, though here and there, as for
instance in A Lodge in the Wilderness, Once at Red Man's River, The
Stroke of the Hour, Qu'appelle, and Marcile, the old note sounds, and
something of the poignant mystery, solitude, and big primitive incident
of the earlier stories appears. I believe I did well--at any rate for
myself and my purposes--in writing this book, and thus making the human
narrative of the Far West and North continuous from the time of the
sixties onwards. So have I assured myself of the rightness of my
intention, that I shall publish a novel presently which will carry on
this human narrative of the West into still another stage-that of the
present, when railways are intersecting each other, when mills and
factories are being added to the great grain elevators in the West, and
when hundreds and thousands of people every year are moving across the
plains where, within my own living time, the buffalo ranged in their
millions, and the red men, uncontrolled, set up their tepees.
NOTE
The tales in this book belong to two different epochs in the life of the
Far West. The first five are reminiscent of "border days and deeds"--
of days before the great railway was built which changed a waste into a
fertile field of civilisation. The remaining stories cover the period
passed since the Royal North-West Mounted Police and the Pullman car
first startled the early pioneer, and sent him into the land of the
farther North, or drew him into the quiet circle of civic routine and
humdrum occupation.
G. P.
Volume 1.
A LODGE IN THE WILDERNESS
ONCE AT RED MAN'S RIVER
THE STROKE OF THE HOUR
BUCKMASTER'S BOY
A LODGE IN THE WILDERNESS
"Hai--Yai, so bright a day, so clear!" said Mitiahwe as she entered the
big lodge and laid upon a wide, low couch, covered with soft skins, the
fur of a grizzly which had fallen to her man's rifle. "Hai-yai, I wish
it would last for ever--so sweet!" she added, smoothing the fur
lingeringly, and showing her teeth in a smile.
"There will come a great storm, Mitiahwe. See, the birds go south so
soon," responded a deep voice from a corner by the doorway.
The young Indian wife turned quickly, and, in a defiant fantastic mood
--or was it the inward cry against an impending fate, the tragic future
of those who will not see, because to see is to suffer?--she made some
quaint, odd motions of the body which belonged to a mysterious dance of
her tribe, and, with flashing eyes, challenged the comely old woman
seated on a pile of deer-skins.
"It is morning, and the day will last for ever," she said nonchalantly,
but her eyes suddenly took on a faraway look, half apprehensive, half
wondering. The birds were indeed going south very soon, yet had there
ever been so exquisite an autumn as this, had her man ever had so
wonderful a trade--her man with the brown hair, blue eyes, and fair,
strong face?
Public-domain text, read in full here on John Shaqi.
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