Scarcely was she seated on one of the comfortless Vienna chairs which
surrounded the overburdened table than she felt her back broken and
her eyelids weighed down by the whole fatigue of the journey. Again
she seemed in a bad dream, looking through a veil at a picture of
vulgar figures. Yes, vulgar the face of her mother-in-law--fat, red,
puffy, outlined by the hard line of hair, over-shiny and over-black
for nature; vulgar that of Mario, which was much like his mother's,
with the same small blue eyes, the same mouth hanging half-open as he
breathed slowly and noisily; vulgar, again, the face of Gaspare--rosy
all over, hairless below the shining line of his bald forehead; and
that of Massimo, who was dandified but decadent, something like
Antonio, but with long, reddish, oily hair and bold grey eyes.
Claretta herself was vulgar; the very type of a _bourgeois_ beauty.
Without understanding why, Regina remembered the crowds half-seen
at the passing stations and on the Roman platform; the faces now
surrounding her stood out from the confusion of those unnoticed ones,
but themselves belonged to the crowd, and were no better than the
crowd. A whole world separated her from them.
Notwithstanding the hour and Antonio's promise of dispatch, the
supper lasted an immense time. It was served by a strapping,
fair-haired girl in a pink blouse, who never took her astonished eyes
from the bride's face, and every moment tripped and stumbled, as if
determined to break something.
This figure which came and went seemed the principal one of the
picture. Every one watched the girl and talked to her. Signora Anna
started every time she opened the door.
Even Antonio addressed her.
"Well, Marina, and how are all the sweethearts?" he asked; and added,
indicating Regina, "are you satisfied? Which is the prettier, she or
Signora Arduina?"
Marina blushed, giggled, ran away, and did not return.
Presently Gaspare rose gravely, threw his napkin over his shoulder,
and went in search of her. An altercation was heard in the kitchen.
Then Gaspare returned, wrathful and very red.
"Mother, the mutton is burnt!" he announced tragically; "you must go
and see after it."
The old lady groaned, got up, went out, came back--and did not stay
quiet for another moment!
"Mother!" implored Antonio, "do sit down!"
"Mother!" urged Gaspare, still wrathful, "go and look after her!"
"Oh, these servants!" said the mother-in-law, turning to Regina, "one
shouldn't mention them, I know, but they're the ruin of families.
I'll tell you afterwards----"
"It's one of the gravest of social problems," said Massimo,
sarcastically, looking straight before him.
"But one can't live without servants," cried Gaspare.
"Yet the servants are the death of you?"
"Oh, I'll be the death of them if they don't do their business," said
Gaspare, and they all laughed.
Public-domain text, read in full here on John Shaqi.
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