"_Dio Mio!_" said Antonio, "do stop about _Quo Vadis?_ And really,
you know, it's not precisely modern!"
Regina listened and held her peace. The talk was entirely of books,
theatres, authors. The Princess told some story of Tolstoy, whom she
knew personally. Towards the close of the repast, violent discussion
arose between Massimo and Arduina about a great contemporary Italian
poet and novelist--not only about his works, but about his private
life. Arduina spoke against the master, hatred darting from her eyes,
venom from her lips. She reproached him even for having grown old,
bald, and ugly before his time. Massimo, red with fury, withered his
sister-in-law with looks of supreme contempt.
"Worms!" he cried, forgetting he sat at her table. "See what you
writers are! Merely to blacken the greatest and purest glory of Italy
you stoop to absolute nonsense, and don't even know what it is you
are saying!"
"Peace! peace!" laughed Antonio.
But now a most extraordinary thing happened. Sor Mario spoke. He had
not read one line of the poet's, nor had any scandal to tell of him,
but he related:--
"I saw him once at Anzio; he was riding along the shore got up
entirely in white; white coat, white hat, white gloves, on a white
horse----"
"White gloves on a horse?" queried Massimo, laughing foolishly.
Regina asked the Princess her opinion of the author in question, and
the lady replied--
"To tell the truth, I'm not one of his blind admirers; but his prose
is certainly lovely--bewitching, like music----"
"True," said Antonio; "but one very quickly forgets what he says."
"That's just my impression," said Regina; "it's music without any
echo."
Massimo shook his head; his long hair stood on end like that of an
infuriated baby.
"People were coming down to bathe," continued Sor Mario, "and they
stared at him and laughed. Some were in hopes the poet would tumble
off his white horse----"
About nine, while Arduina was pouring out coffee, the Princess's
lady companion arrived; a queer-looking little creature with dark,
malignant countenance, a long, pointed chin, and minute, glittering
eyes. Small, shrivelled, dressed in grey, this curious person seemed
half-animal to Regina, a kind of human rodent. And, really, no
sooner had she entered than the room was pervaded and animated by
what seemed the scratching and running about of a rat; little cries
and exclamations; hand-claspings and kisses which suggested bites,
questions, remarks, and, above all, looks which seemed to Regina
inquisitive, anxious, mocking, and impudent.
"Take a cup of coffee if you care for it, Marianna," said Arduina,
while the companion felt the Princess's forehead with both her hands.
"Why, your head's burning!" she said; "have you been eating a great
deal? What have you eaten? Whatever have you made her eat?" she went
on, turning to Arduina. "Oh, yes, I'll have some coffee, though I
know very well it won't be good! What wretched cups! They're as small
as I am!"
Public-domain text, read in full here on John Shaqi.
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